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Charger

Artist Ralph Simpson (English, 1651 - 1724)
Dateca. 1680-1690
MediumEarthenware with lead glaze
DimensionsOverall: 16 3/4 inches (42.55 cm)
Credit LineGift of Mr. and Mrs. Frank P. Burnap
Object number41-23/784
On View
On view
Gallery Location
  • 112
Gallery Label
Ralph Simpson, a leading 17th-century slipware potter, used slip to decorate this large presentation dish in a variety of ways, including lines of orange and brown slip detailed with small dots or "jewels" of white slip. This charger illustrates a secular allegory of sacrifice, the mother pelican who feeds her offspring blood from her own breast during times of famine.  The pelican is also a biblical allegory of Christ's sacrifice for mankind.

Slip is the term for a mixture of clay and water. Slip of a thin consistency can be painted on with a brush to add two-dimensional decoration, while a thick slip can be applied to add three-dimensional embellishment. These large dishes, called chargers, were decorated with multi-colored slips, covered with a transparent lead glaze and then fired. Slipware was either potted on a wheel or press molded by pressing clay into or onto a mold. Although many slipware pieces were functional, works such as those displayed here were designed to hang on the wall as decorative objects.
Provenance

Mr. Frank P. (1861-1957) and Mrs. Harriet C. (1866-1947) Burnap, Kansas City, MO, by 1941;

Their gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 1941.

Published References

D. Barrett Tanner, “Burnap Collection of English Pottery: Part II, The Early Wares,” The Magazine Antiques (March 1946): 170 (repro.).

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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