Dragon
Artist
Ogata Kōrin
(Japanese, 1658 - 1716)
DateEdo period (1615-1868)
MediumHanging scroll; ink on paper (orientation: left in pair)
DimensionsImage: 42 × 14 3/4 inches (106.68 × 37.47 cm)
Mount: 70 3/4 × 19 5/8 inches (179.71 × 49.86 cm)
Mount: 70 3/4 × 19 5/8 inches (179.71 × 49.86 cm)
Credit LineGift of Mrs. George H. Bunting Jr. in memory of her father, Olen G. Bitler
Object number75-58/2
On View
Not on viewCollections
Exhibition HistoryKōrin, Mitsukoshi, Tokyo, Japan,
May 25-30, 1965; Mitsukoshi, Osaka, Japan, June 5-10, 1965, p.40.
According to a Chinese proverb: "Clouds emerge when dragons sing, and wind arises when tigers roar," pointing to dragons' and tigers' power over the human realm. Japanese people adopted this Chinese theory describing the natural order of the universe. Dragons and tigers represent the balancing energy of yin and yang, and people in East Asia, including Japan, believe creatures bring rain that provides the earth with an essential lifeline.
Mr. Hiromi of Mikage, The middle of the Meiji period – 1945;
Private Collection, 1945- November 3rd, 1955;
With the Yamanaka & Company, Inc., November 3rd, 1955-1965;
Mr. Olen Bitler (1888- 1945), 1965-October 1975;
With Mrs. George H. Bunting Jr., Shawnee Mission, by December 12, 1975;
Her gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 1975.Mistsukoshi, Kōrin, exh. cat. (Tokyo: Nihon Keizai Shimbun-shapp), 40.
H.P. Stern, Rimpa: Masterpieces of the Japanese Decorative School (New York: Japan Society, 1971), pl.19.
The Nelson Gallery-Atkins Museum, Bulletin, vol. 5 (Kansas City: Nelson Gallery-Atkins Museum, Feb. 1971), no. 3.
Kobayashi Tadashi, ed. Rimpa Painting (Kyoto: Shikosha, 1991), vol. 3, Landscapes, Birds and Animals, pl. 191.
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