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Copy of the "Venus de Medici"

Artist Massimiliano Soldani Benzi (Italian, 1656 - 1740)
Dateca. 1710-1720
MediumBronze
DimensionsOverall (with base): 62 1/2 inches (158.75 cm)
Credit LinePurchase: the Elmer F. Pierson Foundation
Object numberF73-3
On View
On view
Gallery Location
  • Sculpture Hall
Collections
Exhibition History

Birmingham Art Gallery, Birmingham, UK, 1972.

Gallery Label
This is a copy after the famous ancient Greek sculpture Venus de Medici (2nd century C.E.), so-called because it belonged to the Medici family, the hereditary rulers of Florence from the 16th to the 19th centuries. Venus, goddess of love, gazes into the distance while her son, Cupid, plays on the back of a dolphin. This example is one of several copies cast in bronze from a plaster cast of the original marble, which is in the Uffizi Gallery, Florence. Manufacturing replicas of classical statues became an industry in the 18th century with the expansion of cultural tourism.
Provenance
Madame Boël, Paris;


Private Collection, New York;


With Heim Gallery, London, on joint account with Artibus, S. A. and Harrison, by 1969;


Purchased from Heim Gallery, Artibus and Harrison by Alfred W. T. Hood, Oxford, March 17, 1969-February 23, 1973 [1];


Purchased from Hood, through Heim Gallery, London, by the Nelson-Atkins Museum of Art, Kansas City, MO, 1973.

Published References

Possibly Klaus Lankheit, Florentinische Barockplastik die Kunst am Hofe der letzten Medici: 1670-1743 (Munich: Bruckmann, 1962), 144-45.

 

Andrew Ciechanowiecki and Gay Seagrim, “Soldani’s Blenheim Commission and other Bronze Sculptures after the Antique,” Festschrift Klaus Lankheit (May 20, 1973): 180-84, (repro.).

 

Ross E. Taggart and George L. McKenna, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. 1, Art of the Occident, 5th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973), 144, (repro.).

 

Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 179, (repro.).

 

Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 86, (repro.).

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


Leda and the Swan with Cupid
Massimiliano Soldani Benzi
late 17th-early 18th century
F83-36
overall
ca. 1550
64-13
Medici Arms, Crown, and Sceptor Supported by Putti
Pietro Berrettini, called Pietro da Cortona
1646
59-73/1
Maria de Medici
Paul Pontius
1630 - 1645
62-55/31
The Apotheosis of Giovanni de' Medici
Giovanni Elia Morghen
n.d.
F87-31
Copy after Michelangelo's "Aurora"
Bartolommeo Passerotti
ca. 1550
39-37
Ile de France
Aristide Maillol
ca. 1910
A54-94
recto overall
François Boucher
1750s
66-16
Venus Instructing Cupid
Richard Cosway
F76-55/3
Vulcan Showing Venus Armor of Aeneas
Circle of Prudhon
19th century
81-30/99
Cupid
Nicolò Roccatagliata
1593
43-24