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Illustration to the Second Prose Poem on the Red Cliff
image overall
image overall

Illustration to the Second Prose Poem on the Red Cliff

Artist Qiao Zhongchang (Chinese, active late 11th-early 12th century)
DateNorthern Song dynasty (960-1127)
MediumHandscroll; ink on paper
DimensionsImage: 11 3/4 x 220 3/4 inches (29.85 x 560.71 cm)
Image & colophon: 12 x 247 3/4 inches (30.48 x 629.29 cm)
Mount: 12 x 247 3/4 inches (30.48 x 629.29 cm)
Overall: 12 x 482 inches (30.48 x 1224.28 cm)
Credit LinePurchase: Nelson Gallery Foundation
Object numberF80-5
On View
Not on view
Collections
Exhibition History

The John M. Crawford Jr. Collection: Chinese Paintings and Calligraphy, Metropolitan Museum of Art, October 12, 1984-February, 1985.

A Bountiful Decade: Selected Acquisitions, 1977–1987, Nelson-Atkins Museum of Art, Kansas City, Mo. 14 October–6 December 1987.

Grand View: Painting, Calligraphy and Ju Ware from the Northern Sung Dynasty and Sung Dynasty Rare Books, National Palace Museum, December 25, 2006- March 25, 2007 no. 25.

Expressions of Brush and Ink: Literati and Chan (Zen) Painting in China and Japan, The Nelson-Atkins Museum of Art, Kansas City, MO, January 13 – August 8, 2010.

Masterpieces of Early Chinese Painting and Calligraphy in American Collections, Shanghai Museum, October 16, 2012- January 17, 2013, No.15.

Journey through Mountains and Rivers: Chinese Landscapes Ancient and Modern, The Nelson-Atkins Museum of Art, Kansas City, MO, February 8- April 28, 2013.

Masterpieces of Chinese Painting, Victoria and Albert Museum, London, October 26, 2013- January 19, 2014, no. 19.

Provenance

Qing Dynasty imperial court, 1925;

Wang Wenbo (Wang Zheng d. 1963), Hong Kong, China; (sold to Crawford through Japanese-American dealer, Joseph Seo);

John M. Crawford Jr.;

Purchased from John M. Crawford Jr. by The Nelson-Atkins Museum of Art, Kansas City, MO, 1980.


 


Published References

Shiqu baoji 石渠寶笈, juan 33 卷三十三. Qinding Siku quanshu 欽定四庫全書 (Shanghai: Hanfen lou, reprint in 1918), 49-52.

Xie Zhiliu, Tang, Wu dai, Sung, Yuan, Ming- I [Famous Paintings of T’ang, Five Dynasties, Sung, yuan, and Ming Dynasties], (Shanghai: 1957), pl. 23-33.

Laurence Sickman, ed. “Ode on the Red Cliff (Part II)” in Chinese Calligraphy and Painting in the Collection of John. M. Crawford, Jr. (New York: The Pierpont Morgan Library, 1962), 72-75, pl. 15-16, no. 14.

Dix Sieceles de Peinture Chinoise… Peintures et Calligraphie de la Collection de M. John M. Crawford, Jr. Musee Cernuschi, (January- February 1966), Ed. Euros, introduction V. Elisseeff cat. No. 19, p. 32 (2 details illus. on covers).

Translated by Theodore Bowie, One Thousand Years of Chinese Painting, T’ang to Ch’ing (800-1800) An Exhibition of fifty representative works borrowed from major American collections, Indiana University Art Museum, (Indiana University Printing Dept., February 14, 1968- March 31, 1968), catalog no. 7, and cover illustration (detail).

Stephen Adams Wilkinson, “Paintings of the ‘The Red Cliff Prose Poems’ in Song Times”, Oriental Art, vol. XXVII (1981): 75-89, no. 1, figs. 1a-1e.

Ursula Toyka-Fuong, Die Rote Wand : Geschichte und Dichtung in der Maleri Chinas (Bonn: Habelt 1982), tafel 2, abb. 4. (Detail: boat and crane).

Daniel Altieri, “The Painted Visions of the Red Cliffs”, Oriental art, Vol. 29 (Autumn 1983), 255, no. 3, fig. 2.

Calendar of Events, The Nelson- Atkins Museum of Art (January 1983), (5 details).

 Howard Goodman, “Gallery reveals major work: Chinese masterpiece added to collection” Kansas City Times (January 7, 1983): front page (1 detail), A-1, A-5.

Donald Hoffmann, “Revelations of ancient innovation: Sung dynasty scroll painting epitomizes stylistic ideals of Chinese scholar-artists”, Kansas City Star (January 9, 1983): Arts section, front page (2 details), 1J.

Roger Ward, ed., A Bountiful Decade: Selected Acquisitions, 1977-1987, exh. cat. (Kansas City, MO: Nelson-Atkins Museum of Art, 1987), 56-57, no. 19.

Ellen R. Goheen, The Collections of the Nelson-Atkins Museum of Art (New York: Harry N. Abrams, 1988), 185.

Richard Vinograd, “Situation and Response in Traditional Chinese Scholar Painting,” The Journal of Aesthetics and Art Criticism, Vol. 46, No. 3 (Spring, 1988): 371, fig. 3.

Wai-yee Li, “Dream Visions of Transcendence in Chinese Literature and Painting”, Asian Art Vol.III, no.4, Fall 1990),53-78, figs.2a-2d.

丁羲元, “喬仲常《後赤壁賦圖卷》圖卷辯疑朵雲 no. 31, (1991): 29-37.

Ding Xiyuan, “Queries about the Painting Scroll of “Hou Chi Bi Fu” by Qiao Zhongchang”, Duo yun, Art Clouds Quarterly of Chinese Painting Study, vol. 31, no. 4 (Shanghai: Shanghai shu hua chu ban she, 1991): 29-35.

“Sung and Yuan Masterpieces on Display”, Calendar of Events, The Nelson- Atkins Museum of Art (May 1992), 4.

Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 314.

Jerome Silbergeld, “Back to the red Cliff: Reflections on the Narrative Mode in Early Literati Landscape Painting” Ars Orientalis vol. 25 (1995):19-38.

Yi Ruofen 衣若芬.  “Zhanhuo yu qingyou: Chibitu tiyong lunxi 戰火與清遊: 赤壁圖題詠論析  Gugong xueshu jikan, vol. 18, no. 4, (2001), 63-102, figs. 1-8.

Robert L. Thorp, and Richard Ellis Vinograd.  Chinese Art and Culture.  (New York: Harry N. Abrams, 2001), 265, fig. 7-36.

Richard K.  Kent, “Ch’iao Chung-ch’ang’s Illustration of Su Shih’s “Latter Prose Poem on the Red Cliff”: Pai-miao (Plain Line Drawing) as Heuristic Device” Guoli Taiwan daxue meishushi yanjiu jikan, no.11 (September 2001), 95-132.

Fan Rujun 范如君.  Qiao Zhongchang ‘Hou Chibifu tujuan’ yanjiu: jianlun Su Shi xingxiang yu Li Gonglin baimiao feng’ge di fazhan喬仲常後赤壁賦圖卷》研究: 兼論蘇軾形象與李公麟白描風格的發展. MA thesis. (National Taiwan Normal University, 2002).

Itakura Marsaaki 板倉聖哲. 喬仲常「後赤壁賦圖卷」(ネルソン・アトキンア美術館)史的位置.  國華 (Kokka), 9-22, no.1270.

Itakura Marsaaki.  “The Words and Images Surrounding The Ode on the Red Cliff—With Qiao Zhongchang’s Handscroll of the Second Red Cliff”, Conference on the History of Painting in East Asia.(Taiwan, 2002).

小川裕充, “ 山水、風俗、敘事——唐宋元代中國繪畫對日本的影響Gugong wenwu yuekan, vol. 23, (Aug-Oct, 2005), no. 5, 6, 7.

Grand View: special exhibition of Northern Sung painting and calligraphy大觀 : 北宋書畫特展 主編林伯亭, (Taipei Shi : Guo li gu gong bo wu yuan, Minguo 95 [2006]): 164-169, no. 25.

Lara C. W.  Blanchard, “A Scholar in the Company of Female Entertainers: Changing Notions of Integrity in Song to Ming Dynasty Painting” Nan Nü 9(2007): 189-246.  Ills. 2, 3, 12.

Murray, Julia K.  Mirror of Morality: Chinese Narrative Illustration and Confucian Ideology. (Honolulu: University of Hawaii Press, 2007), 72, fig. 48.

Tradition and Innovation: Director Marc F. Wilson and Chinese Art at the Nelson-Atkins Museum of Art, Orientations, Special issue for the Chinese art collection in the Nelson-Atkins Museum of Art, Vol. 39, no. 8 (November/December 2008):50.

Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 340, fig. 175.

Princeton University Art Museum. Outside In: Chinese x American x Contemporary Art.  (Princeton University Art Museum, 2009), 172, Fig. 7.

Wei Jiang, The Strange Disappearance of Su Shi in Red Cliff, (MA Thesis, Brown University, 2009).

Dan Desmond, “Around the World of Art with Martin Powers”, LSA Magazine (University of Michigan, December 2010): 41.

Shih, Shou-chien.  New Perspectives on Chinese History 中國史新論.  (Taipei: Linking Publishing Co., 2010).

Colin Mackenzie, with contributions by Ling-En Lu, Masterworks of Chinese art: the Nelson-Atkins Museum of Art (Kansas City, Mo.: Nelson-Atkins Museum of Art, 2011), 66-79.

Shanghai bo wu guan, Masterpieces of Early Chinese Painting and Calligraphy in American Collections, Shanghai Museum, (Beijing shi: Beijing da xue chu ban she, 2012), 284-295, no. 15.

Zhang Hongxing, Masterpieces of Chinese Painting, Victoria and Albert Museum, (New York: V& A Publishing, 2013), 43, 82, 100, 102-103, 150, 153, 166-7,166- 167, 168-9, no. 19.

Zhao Yajie, “Chuan Qiao Zhongchang Hou Chibifu tujuan dicang kaolue” National Art Museum of China Journal Zhongguo meishuguan (2014): 68-79.

Lei Xue, The Literati, the Eunuch, and a memorial: The nelson-Atkins’s Red Cliff Handscroll Revisited, Archives of Asian Art, vol. 66 (2016): 25-49.

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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detail
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