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Side Chair from the Sondern House, Kansas City, MO
Side Chair from the Sondern House, Kansas City, MO

Side Chair from the Sondern House, Kansas City, MO

Artist Frank Lloyd Wright (American, 1867 - 1959)
Dateca. 1940
MediumCypress, cypress-faced plywood, fabric, and foam rubber
DimensionsOverall: 28 × 22 × 22 inches (71.12 × 55.88 × 55.88 cm)
Credit LinePurchase: William Rockhill Nelson Trust (by exchange)
Object number93-12/2
On View
Not on view
DescriptionArmless chair of non-traditional design. Rear supports formed by two vertical slabs of wood joined to create a "V" shape. Single front leg runs diagonally from bottom of seat. Upholstered with attached cushions covered in blue fabric. Habric flaps hang from front of seat and over back.Provenance

Clarence Sondern (1906-1990), Kansas City, c. 1940-1986;

With Fifty/ 50 Gallery, New York 1986-1993;

Sold 20th century Decorative Arts, Sotheby’s, New York, June 10, 1993, lot 277 (armchair) lot 278 (side chair);

Purchased from Sotheby’s by The Nelson-Atkins Museum of Art, Kansas City, 1993.

Published References

Henry Russel Hitchcock, In the Nature of Materials: 1887-1941, the Buildings of Frank Lloyd Wright (New York: Duell, Sloan & Pierce, 1942), figs. 401-402.

William Allin Stover, The Architecture of Frank Lloyd Wright (Cambridge, MA: MIT, 1978), 279 (repro.).

David Hanks, Frank Lloyd Wright: Preserving an Architectural Heritage (New York, E.P. Dutton, 1989), 106-107.

“ART NOTES,” The Kansas City Star, Sunday December 12, 1993. Pg. L-7. (both chairs illustrated)

Deborah Emont Scott and Marjorie Alexander, eds. The Nelson-Atkins Museum of Art: A Handbook of the Collection. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 183 (repro.).

Stephen Rose, “Master Work in Roanoke,” Kansas City Spaces. Vol. 12 no. 11 (Holiday 2014); 100-103, 100 (repro.).

 

Copyright© Frank Lloyd Wright Foundation, Scottsdale, AZ / Artists Rights Society (ARS), New York
Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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