God the Father
CultureFrench
Date15th century
MediumStained and painted glass
DimensionsFramed: 31 5/8 inches (80.33 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number44-49/10
On View
On viewGallery Location
- 107
Collections
Terms
Like paintings of the period, 15th-century stained-glass windows assumed many sizes and shapes. One of the most common shapes for religious subjects was the roundel. This example shows God the Father floating among clouds in the company of three angels. He raises two fingers of his right hand in a gesture of blessing, and in his left hand he holds an orb, symbolic of his sovereignty over the world. This window represents a transitional period in the art of stained glass, during which smaller, individual pieces of glass ceased to form the design of the window: the design was achieved by applying painted details onto larger pieces of glass.
With Arnold Seligmann, Rey and Co., New York, by March 1927-September 15, 1928;
Purchased from Arnold Seligmann, Rey and Co. by Brummer Gallery, New York, stock no. N2644, March 11, 1929-December 1, 1944 [1];
Purchased from Brummer, through Harold Woodbury Parsons, by The Nelson-Atkins Museum of Art, Kansas City, MO, 1944.
NOTES:
[1] The Metropolitan Museum of Art, New York, Cloisters Library and Archive, Brummer Gallery Records, Glass, stained glass, and crystal, Object inventory card number N2644.
Helen Comstock, “Medieval Windows of Stained Glass,” International Studio v. 86 (Jan.-Apr. 1927): 47-55, 53 (repro.).
Information about a particular artwork or image, including provenance information,
is based upon historic information and may not be currently accurate or complete.
Research on artwork and images is an ongoing process, and the information about a
particular artwork or image may not reflect the most current information available to the Museum.
If you notice a mistake or have additional information about a particular artwork or image,
please e-mail provenance@nelson-atkins.org.