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Trial by Jury

Artist Thomas Hart Benton (American, 1889 - 1975)
Date1964
MediumOil on canvas
DimensionsUnframed: 30 3/16 × 40 1/8 inches (76.68 × 101.92 cm)
Framed: 41 3/8 × 51 × 2 1/2 inches (105.09 × 129.54 × 6.35 cm)
Credit LineBequest of the artist
Object numberF75-21/11
SignedSigned lower right: Benton ’64
On View
Not on view
Collections
Provenance

Thomas Hart Benton;

His gift to the Nelson-Atkins Museum of Art, 1975.

Published References
Thomas Hart Benton, An American in Art: A Professional and
Technical Autobiography (Lawrence: University Press of Kansas,
1969), 141; Matthew Baigell, Thomas Hart Benton (New York:
Harry N. Abrams, 1974), 11, 242; Kathleen Patterson, “Nelson
Gallery in Benton Will,” Kansas City Times, 26 February 1975, 1A
(as Damage Suit [Trial by Jury]); “Paintings from the Thomas Hart
Benton Bequest,” Gallery Events (William Rockhill Nelson Gallery
of Art and Mary Atkins Museum of Fine Arts), March 1976, unpaginated; Patricia Ewing Pace, “You’ll Find Some Authentic Ben-
tons . . . Right under Your Very Nose,” Kansas City Star, 27 April
1981, 1–2B; Kimberly Mills, “Judge Hopes to Re-Enact Trial Shown
in Painting,” Kansas City Times, 9 December 1981, B1, B6; Paula
Maynard, “Courtroom Reunion Honors Thomas Hart Benton
Painting,” United Press International (New York), 30 December
1981, clipping, Scrapbook, NAMA Archives; “Courtroom Reunion
Honors Thomas Hart Benton Painting,” Express and News (Kirksville, Mo.), 31 December 1981, 1; Kimberly Mills, “A Case of Life
Imitating Art,” Kansas City Times, 31 December 1981, A1, A4;
[“Thomas Hart Benton Easter Seals Benefit Exhibition”], exh. cat.
(Kansas City, Mo.: United Missouri Bank and Boelte-Hall, Litho,
1981), unpaginated; “Court Painting Comes to Life,” Saginaw
(Mich.) News, 4 January 1982, C7; Karal Ann Marling, Tom Benton and His Drawings: A Biographical Essay and a Collection of
His Sketches, Studies, and Mural Cartoons (Columbia: University
of Missouri Press, 1985), 187, 190–93, 223; Frederick S. Voss, Portraits of the American Law, exh. cat. (Washington, D.C.: National
Portrait Gallery, 1989), frontispiece, 4; NAMA 1991, 201; Maxwell
Bloomfield, “The Warren Court in American Fiction,” Journal of
Supreme Court History 16 (1991), 92; Morris L. Cohen, “Trial by
Jury,” in Law: The Art of Justice (New York: Hugh Lauter Levin
Associates, 1992), 102–3; Joel Samaha, Criminal Law, 4th ed.
(St. Paul, Minn.: West Publishing Company, 1992), cover; NYU–
The Law School Magazine 3 (Autumn 1993), cover; “Connecting
with the Jury,” TRIAL 29 (February 1993), 114–15; Kansas City
Counselor, February 1994, cover; Fred Shapiro and Jane Garry,
eds., Trial and Error: An Oxford Anthology of Legal Stories (New
York: Oxford University Press, 1998), cover; CHANCE: A Magazine of the American Statistical Association 15 (Spring 2002), cover,
1; Joseph B. Kadane, “Anatomy of a Jury Challenge,” CHANCE: A
Magazine of the American Statistical Association 15 (Spring 2002),
10; William Dwyer, In the Hands of the People: The Trial Jury’s
Origins, Triumphs, Troubles, and Future in American Democracy
(New York: St. Martin’s Press, 2002), cover.
Copyright© Thomas Hart Benton and Rita P. Benton Testamentary Trusts / Licensed by VAGA at Artists Rights Society (ARS), New York
Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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