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Peony

Artist Unknown
Artist After Xu Xi (Chinese, 886 - 975)
Date12th century
MediumAlbum leaf; ink and color on silk
DimensionsOverall: 9 1/2 × 9 3/4 inches (24.13 × 24.77 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number33-8/2
On View
Not on view
Collections
DescriptionPainting of a single white peony, with touches of pink on the petals, and with green leaves.Exhibition History

Philbrook Art Center, Tulsa, OK, 1948.

Chinese Paintings of Birds and Flowers, Fogg Art Museum, Harvard University, October 30-December 14, 1951.

Album Leaves, China Institute in America, New York, March 25-May 30, 1970

Gallery Label

The peony has been a favorite flower in Chinese art for hundreds of years, as evidenced in this full bloom splashing its pinkish white charms. The oversized bloom earned the name King of the Flowers, and its meaning changes depending upon the occasion. In literature, the peony is associated with a beautiful woman’s seductive charm. In painting, the flower celebrates prosperity and nobility, qualities every family wants.


Provenance

Yamanaka & Co.;

Purchased from Yamanaka & Co. by The Nelson-Atkins Museum of Art, Kansas City, MO, 1933.

 

Published References

Benjamin Rowland, Masterpieces of Chinese Bird and Flower Painting, Fogg Art museum, (Cambridge, Massachusetts: 1951), 13, no.3.

Chi-Ch’ien Wang, Album Leaves from the Sung and Yuan Dynasties, China House Gallery (New York: China House Gallery, 1970), 15, 40 no. 13.

Wai-Kam Ho, et al., Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and The Cleveland Museum of Art. (The Cleveland Museum of Art in cooperation with Indiana University Press, c1980), 27, no.15.

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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