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Oliver Cromwell

Artist Charles Turner (English, 1774 - 1857)
Date1806-1816
MediumEtching
DimensionsOverall: 15 1/2 × 10 3/8 inches (39.37 × 26.34 cm)
Mat: 21 1/4 × 16 inches (53.98 × 40.64 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number32-74/27
Signed(pl.,b.c.):"C. Turner fecit."
Edition/State/ProofI/III
On View
Not on view
Collections
Exhibition History

University of Kansas Museum of Art, Lawrence, KS, 1954.

Inked in Time: Six Centuries of Printed Masterpieces, The Nelson-Atkins Museum of Art, Kansas City, MO, February 22-May 31, 1998, no cat.

Portraiture, The Nelson-Atkins Museum of Art, Kansas City, MO, May 19-November 28, 2010, no cat., as Oliver Cromwell.

Portraiture, The Nelson-Atkins Museum of Art, Kansas City, MO, January 17-July 15, 2018, no cat., as Oliver Cromwell.

Gallery Label
Oliver Cromwell (1599?1658) helped defeat Charles I in the English Civil War of the 1640s and was responsible for the king's execution. Subsequently, he ruled England as a virtual dictator for nearly a decade. Cromwell was an effective head of state, boosting England's status abroad, and was much admired by succeeding generations for his republican, anti-monarchist virtues. Here he is shown trampling on the Whore of Babylon and a serpent, both symbols of vice, accompanied by Fame with a trumpet. Two versions of the print are shown. The first, less detailed version is etched in line. The second, more finished version is worked up to a higher finish in mezzotint, a process in which the original etched line is reinforced by shading.
Provenance

With Knoedler and Co., New York, by May 1, 1932;

Purchased from Knoedler and Co. by The Nelson-Atkins Museum of Art, Kansas City, MO, 1932.
Published References

Alfred Whitman, Charles Turner (London: George Bell and Sons, 1907), no. 472 II/III, p. 173, as Oliver Cromwell.

George L. McKenna, Prints, 1460-1995 (Kansas City, MO: Nelson-Atkins Museum of Art, 1996), 149, 287, (repro.), as Oliver Cromwell, after W. Faithorne.

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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