Portrait of Don Ignacio Omulryan y Rourera
Framed: 40 11/16 × 32 15/16 inches (103.35 × 83.66 cm)
Francisco Goya: His Paintings, Drawings, and Prints, Metropolitan Museum of Art, New York, January 27-March 8, 1936, no. 13, as Don Ignacio Omulryan y Rourera.
Exhibition of Paintings, Drawings, and Prints by Francisco Goya (1746-1828), California Palace of the Legion of Honor, San Francisco, June 5-July 4, 1937, no. 27, as Don Ignacio Omulryan y Rourera.
The Art of Goya: Paintings, Drawings and Prints, Art Institute of Chicago, January 30-March 2, 1941, no. 116, as Don Ignacio Omulryan y Rourera.
A Loan Exhibition of Goya, For the Benefit of the Institute of Fine Arts, New York University, Wildenstein, New York, November 9-December 16, 1950, no. 40, as Don Ignacio Omulryan y Rourera.
The Human Image, Museum of Fine Arts, Houston, October 9-November 23, 1958.
Jewelry and Finery: Eighteenth through the Twentieth Centuries, Herron Museum of Art, Indianapolis, February 18-March 26, 1967, no 40, as Don Ignacio Omulryan y Rourera.
Francisco Goya: Portraits in Paintings, Prints, and Drawings, Virginia Museum of Fine Arts, Richmond, May 8-June 11, 1972, no. 24, as Portrait of Don Ignacio Omulryan y Rourera.
Goya in Times of War, Museo Nacional del Prado, Madrid, Spain, April 14-July 13, 2008.
Private collection, Madrid, by 1924;
With Durlacher Brothers, New York, stock no. D.H. 98, by September 1929-1930 [1];
Purchased from Durlacher by The Nelson-Atkins Museum of Art, Kansas City, MO, 1930.
NOTES:
[1] Getty Research Institute, Durlacher Brothers Records, Box 26, Client Book.
A. De Beruete y Moret, Goya as Portrait Painter (Boston: Houghton Mifflin Company, 1922), 162, 215, as Ignacio Omulryan.
August L. Mayer, Francisco de Goya, trans. Robert West (London: J. M. Dent and Sons, 1924), 69, 364, as Don Ignacio Omulryan y Rourera, the Statesman.
“Portrait of a Man in Uniform,” The Art News (May 31, 1930): (repro.), as Portrait of a Man in Uniform.
The Art Digest 5 (May 15, 1931).
“Nelson Gallery of Art Special Number,” The Art Digest 8, no. 5 (December 1, 1933): 15, 21, 28, (repro.), as Portrait of Don Ignacio Omulryan y Rourera.
“The William Rockhill Nelson Gallery of Art, Kansas City Special Number,” The Art News 32, no. 10 (December 9, 1933): 28, 30, as Portrait of Don Ignacio Omulryan y Rourera.
The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Handbook of the William Rockhill Nelson Gallery of Art (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1933), 33, 39, (repro.), as Don Ignacio Omulryan y Rourera.
Francisco Goya: His Paintings, Drawings and Prints, exh. cat. (New York: Metropolitan Museum of Art, 1936), 13, (repro.), as Don Ignacio Omulryan y Rourera.
E. M. Benson, “Exhibition Reviews: Goya at the Metropolitan,” The American Magazine of Art 29, no. 3 (March 1936): 185, 187, (repro.), as Don Ignacio Omulryan y Rourera.
Exhibition of Paintings Drawings and Prints by Francisco Goya (1746-1828), exh. cat. (San Francisco: California Palace of the Legion of Honor, 1937), 33, (repro.), as Portrait of Don Ignacio Omulryan y Rourera.
Daniel Catton Rich, ed., The Art of Goya: Paintings, Drawings and Prints, exh. cat. (Chicago: Art Institute of Chicago, 1941), 67, (repro.), as Don Ignacio Omulryan y Rourera.
Jose Gudiol, Goya (New York: Hyperion Press, 1941).
“Masterpieces in Many Schools to be Seen in Nelson Gallery,” The Christian Science Monitor (July 17, 1948): 12, (repro.), as Portrait of Don Ignacio Omuryan [sic] y Rourera.
Walter Pach, The Art Museum in America (New York: Pantheon, 1948), vi, 109, 291, (repro.), as Don Ignacio Omulryan y Rouera.
A Loan Exhibition of Goya: For the Benefit of the Institute of Fine Arts New York University, exh. cat. (New York: Wildenstein, 1950), 19, 41, (repro.), as Don Ignacio Omulryan y Rourera.
The Human Image: A Commemorative Catalogue for the Opening of Cullinan Hall, exh. cat. (Houston: Museum of Fine Arts of Houston, 1958).
Ross E. Taggart, ed., Handbook of the Collections in the William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 4th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1959), 93, 263, (repro.), as Don Ignacio Omulryan y Rourera.
Martin Soria, “Goya’s Portrait of Miguel de Lardizábal,” The Burlington Magazine 102, no. 685 (April 1960): 162, as Portrait of Ignacio Omulryan y Rourera.
Elizabeth du Gué Trapier, Goya and his Sitters: A Study of his Style as a Portraitist (New York: The Hispanic Society of America, 1964), 40, 56, as Ignacio Omulryan y Rourera.
Jewelry and Finery: Eighteenth through Twentieth Centuries, exh. cat. (Indianapolis: Herron Museum of Art, 1967), unpaginated, as Don Ignacio Omulryan y Rourera.
D. B. Wyndham Lewis, The World of Goya (New York: C. N. Potter, 1968).
Pierre Gassier and Juliet Wilson Bareau, The Life and Complete Works of Francisco Goya, with 2148 illustrations including 48 colour plates, 2nd ed. (1970; New York: Harrison House, 1981), 297, 396, (repro.), as Ignacio Omulryan.
Marilyn Stokstad, “Spanish Art from the Middle Ages to the Nineteenth Century,” Apollo 96, no. 130 (December 1972).
Francisco Goya: Portraits in Paintings, Prints and Drawings, exh. cat. (Richmond: Virginia Museum, 1972), 36, (repro.), as Portrait of Don Ignacio Omulryan y Rourera.
Ross E. Taggart and George L. McKenna, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. 1, Art of the Occident, 5th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973), 151, 262, (repro.), as Don Ignacio Omulryan y Rourera.
Rita de Angelis, L’Opera Pittorica Completa di Francisco Goya (Milano: Rizzoli, 1974).
John D. Morse, Old Master Paintings in North America: Over 3000 Masterpieces by 50 Great Artists (New York: Abbeville, 1979), 44, as Portrait of Don Ignacio Omulryan y Rourera.
Teresita Miranda-Tchou, “Art as Political Subtext: A Philippine Centennial Perspective on Francisco Goya’s Junta de la Reál Compañia de Filipinas,” Philippine Quarterly of Culture and Society 24, nos. 3/4 (September/December 1996): 200-01, as Ignacio Omulryan.
“Francisco Goya: Catalogo online de la obra de Goya,” Fundación de Goya en Aragón, 2012, accessed May 4, 2015, http://www.fundaciongoyaenaragon.es/goya/obra/catalogo/?ficha=220 as Ignacio Omulryan Rourera.
Goya: The Portraits, exh. cat. (London: National Gallery Company, [2015]), 183, as Ignacio Omulryan y Rourera.
