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Let Loose the Dogs of War

Artist William Blake (English, 1757 - 1827)
Dateca. 1795
MediumPencil on paper
DimensionsUnframed: 7 7/8 x 14 1/2 inches (19.99 x 36.83 cm)
Framed: 20 x 26 x 1 inches (50.8 x 66.04 x 2.54 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number54-22
On View
Not on view
Collections
Exhibition History

Ruskin Exhibition, Manchester City Art Gallery, Manchester, UK, Spring 1904, no. 383, as The Hell-Hounds.

 

Exhibition of Old Master Drawings, P. and D. Colnaghi and Co, London, May 12-June 27, 1953, no. 59, as Let Loose the Dogs of War.

 

Anatomy and Art, The Nelson-Atkins Museum of Art, Kansas City, MO, May 8-June 5, 1960, no. 91, as Let Loose the Dogs of War.

 

Imagination and Vision: Prints and Drawings of William Blake, The Art Gallery, Illinois State University, Normal, IL, October 17 -November 7, 1971; The University of Kansas Museum of Art, Lawrence, MO, November 28-December 18, 1971, no. 1, as Let Loose the Dogs of War.

 

William Blake in the Art of his Time, University of California Art Galleries, Santa Barbara, CA, February 24-March 28, 1976, no. 61, as Let Loose the Dogs of War.

 

Master Drawings form the Nelson-Atkins Museum of Art, Washington University Gallery of Art, St. Louis, MO, September 22-December 3, 1989, unnumbered, as Let Loose the Dogs of War.

 

William Blake: Paintings, Watercolors, and Drawings, Salander-O’Reilly Galleries, New York, November 4-December 31, 1992, no. 28, Let Loose the Dogs of War and Night Thoughts.


Dürer to Matisse: Master Drawings from the Nelson-Atkins Museum of Art, The Philbrook Museum of Art, Tulsa, OK, June 23-August 18, 1996; The Cummer Museum and Gardens, Jacksonville, FL, September 20-November 29, 1996; The Hood Museum of Art, Dartmouth College, Hanover, NH, December 21, 1996-March 2, 1997.

Dürer to Matisse: Master Drawings from the Permanent Collection, The Nelson-Atkins Museum of Art, Kansas City, MO, July 12-September 6, 1998, no cat.

The Naked and the Nude: Representations of the Body, The Nelson-Atkins Museum of Art, Kansas City, MO, October 24-April 29, 2006-2007.


Gallery Label
Blake was one of the most original English artists, developing a highly personal visual language that often accompanied his own poetry. He favored apocalyptic themes, and, in this strange drawing, a demonic personification of Death, with sword in hand, urges on the “dogs of war” including a ferocious greyhound that bites the neck of a man, kneeling and bent backward. The head of a second dog is visible to the right. Notable is Blake’s rhythmic line that simplifies and idealizes the male nude forms. The drawing was intended as a book illustration for Night Thoughts, one of the first great romantic poems by Blake’s fellow author, Edward Young (1683–1765).
Provenance

Joseph Hogarth (1801-d. ca. 1879), London, by 1843,  

 

John Ruskin (1819-1900), Lancashire, UK, 1843-1880;

 

Inherited by his cousin, Joan (née Agnew) Severn (1846-1924), Lancashire, UK, 1900-1904;

 

With The Cotswold Gallery, London, by 1935;

 

Sir Thomas Barlow (1845-1945), Buckinghamshire, UK, by May 5, 1943;

 

Purchased at this sale, Important Painting and Drawings, Sotheby and Co., London, May 5, 1943, lot. 2, The Dogs of War, by Douglas Cleverdon;

 

Douglas Cleverdon (1903-1987), London, by May 5, 1943;

 

With Colnaghi’s Gallery, London, by 1953;

 

Peter H. Deitsch (1924-1970), New York, by April 1, 1954;


Purchased from Deitsch by The Nelson-Atkins Museum of Art, Kansas City, MO, 1954.

 

Published References

Alexander Gilchrist, The Life of William Blake, 1st ed. (London: Macmillan and Co., 1863), 1: 55, 2: 241, as Let Loose the Dogs of War.  

 

Alexander Gilchrist, The Life of William Blake, 2nd ed. (London: Macmillan and Co., 1880), 1: 55, 2: 257, as Let Loose the Dogs of War.

 

Catalogue of the Ruskin Exhibition, exh. cat. (Manchester: Manchester City Art Gallery, 1904), 120, The Hell-Hounds.

 

Alexander Gilchrest and W. Graham Roberston, The Life of William Blake, 3rd ed. (London: John Lane, 1907), 475, as Let Loose the Dogs of War.

 

E.T. Cook and Alexander Wedderburn, The Works of John Ruskin XXXVI: The Letters of John Ruskin 1827-1869 (London: George Allen, 1909), 32-3, as Let Loose the Dogs of War.

 

Catalogue of Drawings by English Arts (London: The Cotswold Gallery, 1935), unpaginated, (repro.), as The Dogs of War.

 

Important Painting and Drawings (London: Sotheby and Co., 1943), 1, as The Dogs of War.

 

Exhibition of Old Master Drawings (London: P. and D. Colnaghi and Co, 1953), unpaginated, (repro.), as Let Loose the Dogs of War.

 

“Anatomy and Art,” The Nelson Gallery and Atkins Museum Bulletin 3, no. 1 (1960): 27, as Let Loose the Dogs of War.

 

David V. Erdman, Blake: Prophet against Empire, rev. ed. (Princeton: Princeton University Press, 1969), 398, as Let Loose the Dogs of War.

 

Imagination and Vision: Prints and Drawings of William Blake, exh. cat. (Lawrence, KS: University of Kansas Museum of Art, 1971), unpaginated, (repro.), as Let Loose the Dogs of War.

 

William Blake in the Art of his Time, exh. cat. (Santa Barbara, CA: University of California Art Galleries, 1976), 68, as Let Loose the Dogs of War.

 

John E. Grant, William Blake’s Designs for Edward Young’s Night Thoughts, vol. 1 (Oxford: Claredon Press, 1980), 44-6, as Let Loose the Dogs of War.  

 

Martin Butlin, The Paintings and Drawings of William Blake (New Haven: Yale University Press, 1981), 253, (repro.), as Nimrod, Let Loose the Dogs of War and Study for Night Thoughts.

 

Roger Ward and Mark S. Weil, Master Drawings form the Nelson-Atkins Museum of Art (St. Louis: Washington University Gallery of Art, 1989), 48, (repro.), as Let Loose the Dogs of War.

 

Martin Butlin and Robyn Hamlyn, William Blake: Paintings, Watercolors, and Drawings (New York: Salander-O’Reilly Galleries, Inc., 1992), 65, (repro.), Let Loose the Dogs of War and Night Thoughts.

 

Roger B. Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 197, (repro.), as Let Loose the Dogs of War.

 

Roger B. Ward, Dürer to Matisse: Master Drawings from the Nelson-Atkins Museum of Art (Kansas City, MO: The Nelson-Atkins Museum of Art, 1996), 180-1, as Let Loose the Dogs of War.

 

Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 108, as Let Loose the Dogs of War.

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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