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Jaguar Devouring a Hare (model)

Former TitlePanther Devouring a Hare
Artist Antoine-Louis Barye (French, 1795 - 1875)
Datemodeled 1850; cast ca. 1850-1875
MediumBronze (Barbedienne cast)
DimensionsOverall: 16 × 38 1/2 × 16 inches (40.64 × 97.79 × 40.64 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number44-50/5
On View
On view
Gallery Location
  • 126
Collections
Exhibition History

Profiles and Perspectives in 19th Century French Art, The University of Kansas Museum of Art, January 14-February 26, 1958, no. 1, as Panther Devouring a Hare.

 

Antoine-Louis Barye, 1796-1875, Marion Koogler McNay Art Institute, San Antonio, February 7-March 31, 1965, no. 54.

Gallery Label
Celebrated for his vivid and realistic sculptures of animals, Antoine-Louis Barye conveyed the compact musculature and powerful tension of a jaguar’s body as it fastens its jaws onto its prey. Barye was known for his deep knowledge of animal anatomy, background in draftsmanship, and technical expertise. His student Auguste Rodin exclaimed, “He is our great glory. He is the great man of our century.”


Provenance

Antoine-Louis Barye (1796-1875), Paris;

Purchased from Barye by Ernest Le Roy (b. ca. 1843-1926), Paris, by June 25, 1875-no later than July 10, 1926 [1];

Purchased from Le Roy by James Gardner Shepherd (1867-1935), Scranton, PA, and New York, by July 10, 1926-March 19, 1935 [2];

Inherited by his wife, Celia Beatrice Shepherd (née Rine, b. 1885), New York, March 19-November 7, 1935 [3];

Purchased at her sale, The James G. Shepherd Collection of Important Paintings and Barye Bronzes, American Art Association, New York, November 7, 1935, lot 33, Jaguar Devouring a Hare, by Brummer Gallery, New York, stock no. N3598, 1935-December 1, 1944 [4];

Purchased from Brummer Gallery by The Nelson-Atkins Museum of Art, Kansas City, MO, 1944.

NOTES:

[1] Per Leslie A. Hyam, Ernest Le Roy formed his collection of Barye bronzes during the sculptor’s lifetime, which means Le Roy must have purchased Jaguar Devouring a Hare prior to Barye’s death on June 25, 1875; see “Foreword” in The James G. Shepherd Collection of Important Paintings and Barye Bronzes (New York: American Art Association, 1935). Le Roy was a dealer who oversaw the Galerie Ernest Le Roy, rue Scribe, Paris. His posthumous sale on December 2-3, 1926 included 32 bronzes by Barye, but Jaguar Devouring a Hare was not among them; see Collection Ernest Le Roy (Paris: Galerie Georges Petit, 1926), nos. 52-83.

[2] Le Roy sold his collection to Shepherd “on the express condition that the former owner should be given a first option to repurchase en bloc, and it was expressly stipulated that the collection should only be dispersed in its entirety.” See “Foreword” in The James G. Shepherd Collection of Important Paintings and Barye Bronzes (New York: American Art Association, 1935).

[3] The front cover of The James G. Shepherd Collection lists “Mrs. James G. Shepherd” as the owner of the collection.

[4] Per The Metropolitan Museum of Art, New York, Cloister Library and Archives, The Brummer Gallery Records, Modern Sculptures and Paintings, stock card N3598. See also The Metropolitan Museum of Art, New York, Cloister Library and Archives, The Brummer Gallery Records, Sales Ledger for January 1, 1940-December 31, 1936, p. 110-11.

Published References

The James G. Shepherd Collection of Important Paintings and Barye Bronzes (New York: American Art Association, 1935), 18, (repro.), as Jaguar Devouring a Hare.


Profiles and Perspectives in 19th Century French Art, exh. cat. (Lawrence, KS: University of Kansas Museum of Art, 1958), unpaginated, as Panther Devouring a Hare.


Antoine-Louis Barye, 1796-1875, exh. cat. (San Antonio: Marion Koogler McNay Art Institute, 1965).

 

The Second Empire, 1852-1870: Art in France under Napoleon III, exh. cat. (Philadelphia: Philadelphia Museum of Art, 1978), 209.

 

Jeanne L. Wasserman, Sculpture by Antoine-Louis Barye in the Collection of the Fogg Art Museum (Cambridge, MA: Fogg Art Museum, 1982), 50, as A Jaguar Devouring a Hare.


Roger Ward, Dürer to Matisse: Master Drawings from The Nelson-Atkins Museum of Art, exh. cat. (Kansas City, MO: Nelson-Atkins Museum of Art, 1996), 199, 201, (repro.), as Jaguar Devouring a Hare.


Michel Poletti and Alain Richarme, Barye: Catalogue raisonné des sculptures (Paris: Gallimard, 2000), 236, as Jaguar dévorant un lièvre.

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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