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Round Box with Cover

CultureMicmac, Eastern Woodlands, Great Lakes
Date1875-1925
MediumSweet grass, quills
DimensionsOverall: 4 × 6 inches (10.16 × 15.24 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number31-125/137 A,B
On View
Not on view
DescriptionA round box decorated with quillwork and sweet grass. Brass tacks at the bottom.Provenance

Acquired by Frederick Johnson (1904-1994) for the Museum of the American Indian-Heye Foundation, New York, no. 176480, 1930-1931 [1];

Transferred from the Museum of the American Indian-Heye Foundation, New York, to The Nelson-Atkins Museum of Art, Kansas City, MO, 1931 [2].

NOTES:

[1] National Museum of the American Indian, Smithsonian Institution, Washington DC, object documentation, accession lot 1930.0102. According to this documentation, Johnson was an anthropologist who acquired this object during fieldwork sponsored by the MAI. The Museum of the American Indian-Heye Foundation was founded in 1916 by George Heye (1874-1957) and opened to the public in New York City in 1922. In 1989, the remaining collection was transferred to the Smithsonian Institution and became part of the National Museum of the American Indian.

[2] In 1931, the Nelson-Atkins co-sponsored two archaeological expeditions with the Heye Foundation: one to Colombia that was directed by Gregory Mason, and a second to the Orinoco River region of Venezuela, directed by Herbert S. Dickey. The partage agreement between the two institutions specified that if the value of the found objects did not match the dollar amount invested by the Nelson-Atkins, the Heye Foundation would transfer objects from its own collection to the Nelson-Atkins to make up the difference, while also giving the Nelson-Atkins an opportunity to purchase additional objects from the Heye Foundation. When the archaeological excavations failed to meet expectations, this was one of a group of objects that were transferred/purchased from the Heye Foundation’s collection to the Nelson-Atkins.

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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