Origin of the harpoons or banderillas
[No known exhibitions at this time]
With E. Weyhe, Inc., New York, by January 1, 1932;
Purchased from E. Weyhe by The Nelson-Atkins Museum of Art, Kansas City, MO, 1932.
Tomás Harris, Goya Engravings and Lithographs (Oxford: Bruno Cassirer, 1964), 1: no. 210, pp. 181, 184, (repro.), as Origen de los arpones o banderillas. (Origin of the harpoons or banderillas); 2: no. 210, p. 320, (repro.), as Origen de los arpones ó banderillas. (Origin of the harpoons or banderillas.).
Pierre Gassier and Juliet Wilson-Bareau, The Life and Complete Work of Francisco Goya, 2nd ed. (New York: Harrison House, 1981), no. 1161, pp. 228, 258, 276-77, (repro.), as Origen de los arpones ó banderillas. (Origin of the harpoons…).
Alfonso E. Pérez-Sánchez and Julián Gállego, Goya: The Complete Etchings and Lithographs (Munich: Prestel, 1995), no. 7, p. 151, (repro.), as Origin of the harpoons or banderillas.
George L. McKenna, Prints, 1460-1995 (Kansas City, MO: Nelson-Atkins Museum of Art, 1996), 314, as La Tauromaquia, Pl. 7, Origin of the harpoons or banderillas.
