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Coffered Vault with Carved Dragons, China, Beijing, Zhihua Temple

Coffered Vault with Carved Dragons, China, Beijing, Zhihua Temple

Former TitleZhihua (Beijing) Temple Ceiling: Central Ceiling Well
Former TitleTemple Ceiling
CultureChinese
Date1444
MediumWood with later gilding and polychrome
DimensionsOverall: 175 1/8 × 181 5/8 inches (444.82 × 461.33 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number31-118/1 A
On View
On view
Gallery Location
  • 230
Collections
DescriptionCarved cypress wood with gold leaf; dragon design carved in reliefProvenance

With E. A. Punnett & Co., China, by July 1931;  

Purchased from E. A. Punnett & Co., through Laurence Sickman, by The Nelson-Atkins Museum of Art, Kansas City, MO, 1931.

Published References

Liu Tun-tseng, “The Ju-lai Tien of Chih-hua Ssu, Peiping,” Bulletin of the Society for Research in Chinese Architecture, vol. III, no. 3 (Peiping, China: Society, September 1932), 1-70, pl.57 (repro.).

 “Art Digest,” 8:31 (December 1, 1933), illus(repro.).

The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, The William Rockhill Nelson Collection, 2nd ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1941), 120, fig. 22 (repro.).

The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, The William Rockhill Nelson Collection, 3rd ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1949), 157 (repro.).

Jean Gordon Lee, “Chih Hua Ssu,” Philadelphia Museum of Art Bulletin, vol. 53, no.246 (Philadelphia Museum of Art, Winter 1958), 29-32 (repro.).

Xiaoneng Yang, New At The Nelson: Tang Dynasty Dragon Acquired, Nelson-Atkins, Calendar of Events (Kansas City, Missouri: The Nelson-Atkins Museum of Art, 1999) (repro.).

Jason Steuber, “Qing Dynasty Emperors Kangxi and Qianlong: Rule though Replication in Architecture and the Arts” in Original Intentions: Essays on Production, Reproduction, and Interpretation in the Arts of China, edited by Nick Pearce and Jason Steuber (Gainesville, FL: University Press of Florida, 2012), 138-211, fig. 4.16 (repro.).

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.