The Red Umbrella
Mat: 32 x 26 inches (81.28 x 66.04 cm)
A Bountiful Decade: Selected Acquisitions, 1977-1987, The Nelson-Atkins Museum of Art, Kansas City, MO, October 14-December 6, 1987, no. 93, as The Red Umbrella.
Graphic Masterworks from the Permanent Collection, The Nelson-Atkins Museum of Art, Kansas City, MO, May 23-July 25, 1993, no cat., as The Red Umbrella.
Inked in Time: Six Centuries of Printed Masterpieces, The Nelson-Atkins Museum of Art, Kansas City, MO, February 22-May 31, 1998, no cat., as The Red Umbrella.
The Feminine Mystique: Portraits of and by Women, The Nelson-Atkins Museum of Art, Kansas City, MO, March 27-October 8, 2006, no cat., as The Red Umbrella.
The Feminine Mystique: Portraits of and by Women, The Nelson-Atkins Museum of Art, Kansas City, MO, February 9-August 12, 2013, no cat., as The Red Umbrella.
Villon (pseudonym) and his brothers Marcel Duchamp (1887-1968) and Raymond Duchamp-Villon (1876-1918) later became innovators in the Cubist style.
With David Tunick, Inc., New York, by February 11, 1978;
Purchased from David Tunick by The Nelson-Atkins Museum of Art, Kansas City, MO, 1978.
Roger Ward, ed., A Bountiful Decade: Selected Acquisitions, 1977-1987, exh. cat. (Kansas City, MO: Nelson-Atkins Museum of Art, 1987), 213, (repro.), as The Red Umbrella.
Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 213, (repro.), as The Red Umbrella.
George L. McKenna, Prints, 1460-1995 (Kansas City, MO: Nelson-Atkins Museum of Art, 1996), 192-94, 295, (repro.), as The Red Umbrella (L’Ombrelle Rouge).
Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 202, (repro.), as The Red Umbrella.