Relief from tomb of Ny-ankh-nesuwt
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This relief and several others once lined the walls of the funerary chapel that stood over the burial chamber of Ny-ankh-nesuwt, a high-ranking Egyptian official.
On the top tier, servants gather papyrus plants from which they make rope and a boat. In the middle tier, boats carry fowl, containers of food and a young cow. The servants on these boats may be fighting each other to be the first to bring Ny-ankh-nesuwt this grand meal. On the lowest tier, figures bring cattle and fish. According to ancient Egyptian belief, these carved servants would magically come to life and feed Ny-ankh-nesuwt in the hereafter.
In 2014 the museum's conservators found that the blocks that make up the relief had not been safely joined together by earlier restorers. It took more than two years to take them apart and then securely join them.
Tomb of Ny-ankh-nesuwt, Saqqara, Egypt;
With Jacob Hirsch (1874-1955), Geneva, no. 426, by April 1929-1930;
Purchased from Hirsch, through Harold Woodbury Parsons, by The Nelson-Atkins Museum of Art, Kansas City, MO, 1930.
“The William Rockhill Nelson Gallery of Art, Kansas City Special Number,” The Art News 32, no. 10 (December 9, 1933): 59.
The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Handbook of the William Rockhill Nelson Gallery of Art (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1933), 114-15.
James Breasted, Geschichte Aegyptens (Zurich: Phaidon-Verlag, 1936), fig. 204.
The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, The William Rockhill Nelson Collection, 2nd ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1941), 12.
William Stevenson Smith, A History of Egyptian Sculpture and Painting in the Old Kingdom (London: Oxford University Press, 1946), 208, 338, 339, fig. 221.
Ross E. Taggart, ed., Handbook of the Collections in the William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 4th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1959), 16.
Ross E. Taggart and George L. McKenna, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. 1, Art of the Occident, 5th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973), 22.
Gerard Roquet, “Niveaux de représentation du code graphique égyptien: phonétique et phonologique,” Livre du centenaire de l’IFAO (1880-1980) 76, no. 32 [1980].
Andrey O. Bolshakov, “The Scene of the Boatmen Jousting,” Bulletin (Société d’Égyptologie, Genève) 17 (1993): 32-33, no. 26, 33-38.
Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 104, 111.
Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 7, fig. 12.