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Relief of Ka-aper and Tjenetet

CultureEgyptian
Dateca. 2494-2487 B.C.E.
MediumPainted limestone
DimensionsOverall: 30 1/2 × 61 inches, 425 lb. (77.47 × 154.94 cm, 192.78 kg)
Credit LinePurchase: William Rockhill Nelson Trust
Object number46-33
On View
On view
Gallery Location
  • 103
Collections
DescriptionKa-aper strides to the right with his wife, Tjenenet, embracing him. He holds in his extended left hand a staff and his right arm is lowered. He wears a short wig and a panther skin that is tied over his left shoulder, leaving bare his right. His wife stands directly behind him, embracing him with her right hand over his upper abdomen and her left hand just below his chest. She wears a wig and sheath dress. Their wigs are black, their necklaces green and blue, his skin brownish-red, and her skin yellowish. The eyes of both had been intentionally mutilated in antiquity. Eleven columns of hieroglyphs appear above them and three behind.Gallery Label
This fragmentary relief originally portrayed the complete figures of Ka-aper, his wife, Tjenetet, and their small child. The relief and many others lined the walls of their expensive funeral chapel. As a military commander and high-ranking official in the royal court, Ka-aper could well afford such a tomb complex.

The couple's skin colors reflect culturally approved gender roles. While she is fair-skinned-wealthy women should stay indoors and not have to work-his tan reflects outdoor masculine pursuits.

Damage to the eyes reveals that ancient tomb-robbers gouged them out to avoid the evil-eye. Tjenetet's delicately rendered ear, however, remains intact. 
Provenance

Tomb of Ka-aper, Saqqara, Egypt;

 

With Paul Mallon, New York, by 1948;

 

Purchased from Paul Mallon, through Harold Woodbury Parsons, by The Nelson-Atkins Museum of Art, Kansas City, MO, 1948.
Published References

Henry Fischer, “The Scribe of the Army in a Saqqara Mastaba of the Early Fifth Dynasty,” Journal of Near Eastern Studies 18, no. 4 (October 1959): 233-72. 

 

Ross E. Taggart and George L. McKenna, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. 1, Art of the Occident, 5th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973), 22.

 

Miroslav Verner, “The Mastaba of Kaaper,” Zeitschrift für ägyptische Sprache und Altertumskunde 120, Heft 2 (1993): 84.

 

Nadine Cherpion, “La conception de l’Homme à l’Ancien Empire d’après les bas-reliefs figurant les notables,” in L’art egyptien au temps des pyramides, exh. cat. (Paris: Réunion des musées nationaux, 1999).   

 

Nadine Cherpion, “The Human Image in Old Kingdom Nonroyal Reliefs,” in Egyptian Art in the Age of the Pyramids, exh. cat. (New York: Metropolitan Museum of Art, 1999), 114n52.

 

Miroslav Bárta, Abusir V: The Cemeteries at Abusir South I (Prague: Set Out, 2001), 173-77, figs. 422-25.

 

Bertha Porter et al., Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Reliefs, and Paintings, vol. 3, Memphis, pt. 2, Saqqara to Dashūr (Oxford: Griffith Institute, 2003), 501.

 

Kate Garland and John Twilley, “The Restoration, Treatment, Scientific Examination, and Re-treatment of an Egyptian Limestone Relief from the Tomb of Ka-aper,” Journal of the American Research Center in Egypt 45 (2009): 303-17. 

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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