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Covered Tankard

Manufacturer Factory of John Dwight of Fulham (English, 1670 - 1859)
Dateca. 1685-1690
MediumStoneware with salt glaze
DimensionsOverall: 10 1/2 inches (26.67 cm)
Credit LineGift of Frank P. Burnap
Object number55-77 A,B
On View
On view
Gallery Location
  • 112
DescriptionTapering, cylindrical form with reeded and molded base; fluted scroll handle with embryonic terminal and flat lid with acorn knob. LIght brown body decorated with spiral marbling in tones of lighter and dark brown; applied reliefs: center, conjugate bust portrait of William and Mary on a pedestal; each side: merryandrew holding a staff; Chinese crane in flight; phoenix; snail; hawks; winged angel heads; prunus; pink. On the lid: snail, flowerhead, scallop shell, pink, daisy-like flower, and a leaf.Gallery Label
Applied to the surface of this tankard are white clay snails, shells, flowers, birds and profile busts of King William III and Queen Mary II of England (reign 1689-1702). Brass stamps used to form the ornaments have been found on the site of Dwight's pottery in Fulham, near London.

Both stoneware, a non-porous clay body fired at a high temperature, and the use of salt to create a glaze originated in Germany, the dominant production center of coarse stoneware until the 17th century. The technique then spread to other countries including England where potters such as John Dwight discovered the secret of German salt-glazed stoneware. The process of spiraling together the soft brown and cream clays of the Covered Tankard was developed by Dwight to emulate marble. He eventually patented his techniques; his process for marbling clay is registered in a 1684 patent.
Provenance

Mr. Frank P. Burnap (1861-1957), Kansas City, MO by 1955;

His gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 1955.

Published References

Ross E. Taggart, The Frank P. and Harriet C. Burnap Collection of English Pottery in the William Rockhill Nelson Gallery, rev. ed. (1953; Kansas City, MO: Nelson Gallery-Atkins Museum, 1967), 59, 65 (repro.).

Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), (repro.).

Michelle Erickson and Robert Hunter, “Swirls and Whirls: English Agateware Technology,” Ceramics in America (Milwaukee: Chipstone Foundation, 2003), 87-89, 88 (repro.).

Jo Connell, Coloring Clay (London: Philadelphia: A & C Black Publishers Ltd; University of Pennsylvania Press, 2007) (repro.).

Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 83 (repro.).

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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