Covered Tankard
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Both stoneware, a non-porous clay body fired at a high temperature, and the use of salt to create a glaze originated in Germany, the dominant production center of coarse stoneware until the 17th century. The technique then spread to other countries including England where potters such as John Dwight discovered the secret of German salt-glazed stoneware. The process of spiraling together the soft brown and cream clays of the Covered Tankard was developed by Dwight to emulate marble. He eventually patented his techniques; his process for marbling clay is registered in a 1684 patent.
Mr. Frank P. Burnap (1861-1957), Kansas City, MO by 1955;
His gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 1955.
Ross E. Taggart, The Frank P. and Harriet C. Burnap Collection of English Pottery in the William Rockhill Nelson Gallery, rev. ed. (1953; Kansas City, MO: Nelson Gallery-Atkins Museum, 1967), 59, 65 (repro.).
Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), (repro.).
Michelle Erickson and Robert Hunter, “Swirls and Whirls: English Agateware Technology,” Ceramics in America (Milwaukee: Chipstone Foundation, 2003), 87-89, 88 (repro.).
Jo Connell, Coloring Clay (London: Philadelphia: A & C Black Publishers Ltd; University of Pennsylvania Press, 2007) (repro.).
Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 83 (repro.).