Bravissimo (No. 38)
Sheet: 11 1/2 x 7 1/2 inches (29.21 x 19.05 cm)
Cryptic: The Use of Allegory in Contemporary Art, with a Master Class from Goya, Contemporary Art Museum, St. Louis, MO, May 20-August 14, 2011, no cat.
With Alden Galleries, Kansas City, MO, October 25, 1933;
Purchased from Alden Galleries by The Nelson-Atkins Museum of Art, Kansas City, MO, 1933.
Tomás Harris, Goya
Engravings and Lithographs (Oxford: Bruno Cassirer, 1964), 1: pp. 40, 102; 2:
no. 73, p. 110, (repro.), as Brabisimo!
(Bravo!).
Pierre Gassier and Juliet Wilson-Bareau, The Life and Complete Work of Francisco Goya, 2nd ed. (New York: Harrison House, 1981), no.
524, pp. 128, 180, (repro.), as Brabisimo!
(Bravissimo!).
Alfonso E. Pérez-Sánchez and Julián Gállego, Goya: The Complete Etchings and Lithographs (Munich:
Prestel, 1995), no. 38, p. 55, (repro.), as Bravo!.
George L. McKenna, Prints, 1460-1995 (Kansas City, MO:
Nelson-Atkins Museum of Art, 1996), 134, 314, as Caprices (Los Caprichos).
