Dictator, under construction
Artist
Albert J. Beals
(American, born 1821)
Date1863
MediumAlbumen print
DimensionsImage and sheet: 11 15/16 × 15 11/16 inches (30.32 × 39.85 cm)
Mount: 17 × 20 1/16 inches (43.18 × 50.96 cm)
Mount: 17 × 20 1/16 inches (43.18 × 50.96 cm)
Credit LineGift of Hallmark Cards, Inc.
Object number2005.27.196
SignedOn mount recto, bottom, in pencil: "Brady & Co."
InscribedINscribed on mount recto, bottom, in black pen: "Dictator."
Markingsnone
On View
Not on viewCollections
DescriptionImage of the hull of a boat under construction; an American flag is draped over the staircase to the left.Exhibition HistoryDeveloping Greatness: The Origins of American Photography, 1839-1885. The Nelson-Atkins Museum of Art, Kansas City, MO, June 9 – December 30, 2007, no. 458.
Rotation 24. The Nelson-Atkins Museum of Art, Kansas City, MO, June 9 – November 12, 2017, no cat.
Albert J. Beals was probably working for photographer Mathew Brady when he made this photograph. The ironclad Dictator was used in the capture of Fort Fisher, off the coast of North Carolina. The fall of Fort Fisher in 1865 cut one of the South’s major supply routes, hastening the end of the war. In this photograph, the nearly completed vessel appears as sleek and lethal as a white shark.
Hallmark Cards, Inc., Kansas City, MO, 1998;
Given by Hallmark Cards, Inc.. to The Nelson-Atkins Museum of Art, Kansas City, MO, 2005.
Given by Hallmark Cards, Inc.. to The Nelson-Atkins Museum of Art, Kansas City, MO, 2005.
Keith
F. Davis, The Origins of American
Photography: from Daguerreotype to Dry-Plate, 1839-1885. With contributions
by Jane L. Aspinwall. Kansas City, MO: Hall Family Foundation: in association
with the Nelson-Atkins Museum of Art, 2007. Distributed by Yale University
Press. Published in conjunction with Developing
Greatness: the Origins of American Photography, 1839-1885, shown at the Nelson-Atkins
Museum of Art, 193 (repro).
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Lewis Emory Walker
June 3, 1867
2020.7.101