Storehouse
Ceramic Echoes, exhibition Oct. 14-Nov. 27, 1983.
Origins: Collecting to Create the Nelson-Atkins, The Nelson-Atkins Museum of Art, Kansas City, MO, August 14, 2021-March 6, 2022.
With Dr. Otto Burchard, Peiping (modern-day Beijing), China, by April 23, 1933-1934 [1];
Purchased from Burchard, through Laurence Sickman, by The Nelson-Atkins Museum of Art, Kansas City, MO, 1934.
NOTES:
[1] Laurence Sickman, Nelson-Atkins Advisor on Asian Art, first wrote to Langdon Warner about a group of tomb objects, including this piece, on April 23, 1933: “It is what I believe to be a complete set of Han tomb pottery of such high quality and such beauty that it is really quite unbelievable. …there are in all twenty-one pieces all from the same tomb, near Shan Chou, north-west Honan.” Harvard Pusey Library, Langdon Warner Archive, Box 12, Folder 19, copy in Nelson-Atkins curatorial files.
Shih Chieh Mei Hsing Chuan Chi, vol. 13, China, no. 2. Complete Collection of Fine Arts of the World (Japan, 1962), pl. 27.
Ross E. Taggart, George L. McKenna, and Marc F. Wilson, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. II, Art of the Orient. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973), 75, (repro.).
Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 287, ( repro.).
Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 307, fig. 77, (repro.).
