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Inrō and Netsuke (Man with a Jumping Frog)

Inrō and Netsuke (Man with a Jumping Frog)

Artist Kajikawa (Japanese)
Dateearly 19th century
MediumLacquer, gold and gold dicing, inro with ivory netsuke
DimensionsOverall: 3 1/2 × 2 1/8 × 1 1/8 inches (8.89 × 5.4 × 2.86 cm)
Credit LineGift of Mr. and Mrs. Milton McGreevy through the Mission Fund
Object numberF58-26/3
SignedKajikawa
On View
Not on view
Collections
DescriptionInro with a design of the Daoist Immortal Gamma and his Three-legged Frog, attached to a Netsuke of the same subject. Inro has five cases, wood-core gold lacquer with makie (sprinkled gold powder) and takamakie (high-relief sprinkled gold powder) designs. The Netsuke is stained ivory. The Ojime is glass.Exhibition History
Japanese Art of the Edo Period, Nelson Gallery, Kansas City, MO, March 16- April 21, 1958; City Art Museum of St. Louis, St. Louis, MO, Mary 13-June 30, 1958, no. 86.
Gallery Label

An inrō is a small container with several compartments that was once used by Japanese men to carry seals, vermillion stamp pads and medicines. The inrō was suspended from the kimono’s sash that passed through a bead (ojime), which secured the compartments in place, terminating with a toggle (netsuke). While men of all classes wore inrō, they became symbols of status and wealth to middle class townsmen, whose conspicuous consumption was regulated by sumptuary regulations during the Edo period (1615–1868). The small size of inrō and netsuke meant they could not be considered luxury goods by official censors; therefore, these items became finely crafted objects created by artisans who specialized in their production.

Provenance

With Mr. and Mrs. Milton McGreevy, Kansas City, by 1958;

Their gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 1958.
Published References
William Rockhill Nelson Gallery of Art and Mary Atkinds Museum of Fine Arts, City Art Museum of St. Louis, Japanese Art of the Edo Period, exh. cat. (Kansas City: The Gallery, 1958), no. 86.
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