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Calendar Plate for August

Artist Workshop of Pierre Reymond (French, 1513 - 1584?)
Dateca. 1560
MediumEnamel on copper
DimensionsOverall: 5/8 × 7 3/4 inches (1.59 × 19.69 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number45-32/3
On View
On view
Gallery Location
  • 111
DescriptionPlate recto depicts a harvest scene with four male figures in the foreground and a cart, house, and cloud filled sky with angel in the background. Medallion enameled verso with four angels and a male head in center. The color motif is grey, black and gold.Gallery Label
Limoges, France was an important, 16th-century center for enamel production. Some enamellers employed grisaille or monochromatic painting to imitate the three-dimensionality and tonality of stone sculpture, as seen in Pierre Reymond's Calendar Plate. Mannerist prints served as design sources for enamellers; the Creation scene on the coupe's cover follows the work of Bernard Salomon, a 16th-century artist. Grotesque masks and fantastic creatures, also characteristic of the Mannerist style, were incorporated into enamel designs, as well as contemporary northern Italian armor.
Provenance

Edward J. Berwind (1848-1936), New York and The Elms, Newport, RI, by 1936;

 

By inheritance to his sister, Julia A. Berwind (1864-1961), New York and The Elms, Newport, RI, his nephew, Charles E. Dunlap (ca. 1889-1966) and his niece, Margaret (née Dunlap, 1891-1977) Behn, 1936-November 11, 1939;

 

Purchased at their sale, Valuable Objects of Art…from the Collection Formed by the Late Edward J. Berwind, Parke-Bernet Galleries, New York, November 11, 1939, lot 333, by Brummer Gallery, New York, stock no. N4478, 1939-October 8, 1945 [1];

 

Purchased from Brummer Gallery, through Harold Woodbury Parsons, by The Nelson-Atkins Museum of Art, Kansas City, MO, 1945.

 

NOTES:

 

[1] The Metropolitan Museum of Art, New York, Cloisters Library and Archives, Brummer Gallery Records, Gothic and Renaissance bronzes, dinanderie, iron, ivory, and silver, Object inventory card number N4478.

Published References

Valuable Objects of Art…from the Collection Formed by the Late Edward J. Berwind (New York: Parke-Bernet Galleries, 1939).

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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