Dish with Imperial Inscription
CultureChinese
DateNorthern Song dynasty (960-1127)
MediumJun ware, stoneware with high-silica glaze
DimensionsOverall: 1 1/2 × 6 5/8 inches (3.81 × 16.83 cm)
Credit LineGift of Dr. and Mrs. Maurice H. Cottle
Object number73-22
On View
On viewGallery Location
- 229
Collections
Gallery LabelSome
five hundred years after it was fired, this dish came to the attention of the
emperor Qianlong, the last great ruler of the Qing dynasty. No doubt Qianlong
lovingly turned it over in his hands as he admired its lavender glaze. A poet,
calligrapher, and the greatest collector in the history of China, Qianlong was
compulsive about inscribing works in his collection. In this case a palace
artisan was commanded to carve away the glaze exposing the stoneware body and
to inscribe what was probably the emperor’s own composition: “Blues wrested
from a thousand peaks. Inscribed by imperial command on a spring day, 1777.”
Dr. and Mrs. Maurice H. Cottle;
Their gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 1973.
Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 297 (repro.).
Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 340, pl. 176 (repro.).
Information about a particular artwork or image, including provenance information,
is based upon historic information and may not be currently accurate or complete.
Research on artwork and images is an ongoing process, and the information about a
particular artwork or image may not reflect the most current information available to the Museum.
If you notice a mistake or have additional information about a particular artwork or image,
please e-mail provenance@nelson-atkins.org.
Kato Keishu
early 20th century
F61-49/4