Inkstand
Manufacturer
Wedgwood Factory
(English, founded 1759)
Dateca. 1810
MediumStoneware with metallic oxide stain (basalt ware)
DimensionsOverall: 4 3/4 × 11 1/4 × 4 1/4 inches (12.07 × 28.58 × 10.8 cm)
Credit LineGift of Mr. and Mrs. Frank P. Burnap
Object number41-23/147 A-D
Markingsimpressed on underside: "WEDGWOOD"
On View
On viewGallery Location
- 112
Collections
DescriptionThis inkstand is composed of four pieces: the main body of the boat and attached central inkwell flanked by attached sand container and quill stand. The three separate parts (B-D) are the lids to the inkwell, sand container, and quill stand. The boat has a phoenix head at one end and a crocodile head at the other, each with wings in relief along the sides of the boat. The miniature canopic vase inkwell in the center of the boat deck is in the shape of a water god; it has a jar-shaped bottom and a headdress-adorned neck and head of the man for a lid.Gallery LabelIntroduced around 1768, this refined stoneware was named black basaltes by Wedgwood. It was often used for wares in the Neoclassical style, here an ancient Egyptian barge ornamented with scarab beetles, lotus flowers and hieroglyphs serves as an inkstand. Emperor Napoleon's campaigns in Egypt in 1798 spurred an intense European interest in Egyptian forms and motifs.
Hailed as the father of English potters, Josiah Wedgwood (1730-1795) augmented his third-generation potter's experience with artistic creativity, innovative marketing, progressive manufacturing techniques and astute business acumen to become the leading potter of the late 18th century. Wedgwood began a partnership with Thomas Whieldon and then in 1759 established his own business, which has survived as an international company to the present day. Although Wedgwood is chiefly known for his 1775 development of jasperware-refined stoneware of solid color with molded, applied decoration-the objects in this case attest to the wide variety of Wedgwood ceramics, whose popularity has endured for more than two centuries.
Hailed as the father of English potters, Josiah Wedgwood (1730-1795) augmented his third-generation potter's experience with artistic creativity, innovative marketing, progressive manufacturing techniques and astute business acumen to become the leading potter of the late 18th century. Wedgwood began a partnership with Thomas Whieldon and then in 1759 established his own business, which has survived as an international company to the present day. Although Wedgwood is chiefly known for his 1775 development of jasperware-refined stoneware of solid color with molded, applied decoration-the objects in this case attest to the wide variety of Wedgwood ceramics, whose popularity has endured for more than two centuries.
Mr. Frank P. (1861-1957) and Mrs. Harriet C. (1866-1947) Burnap, Kansas City, MO by 1941;
Their gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 1941.
Similar model, H. Allen. “‘Egyptian’ Wedgwood,” in The Twenty-sixth annual Wedgwood International Seminar (Baltimore, MD: Walters Art Gallery, 1981) 50-57, 56 (repro.).
Similar model, Robin Reilly. Wedgwood, vol. 2. (New York: Stockton Press, 1989) 445 (repro.).
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