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Still Life

Artist Pieter Claesz (Dutch, ca. 1597 - 1661)
Date1638
MediumOil on wood panel
DimensionsUnframed: 25 1/4 × 20 3/16 inches (64.14 × 51.28 cm)
Framed: 34 5/16 × 29 11/16 × 2 3/8 inches (87.15 × 75.41 × 6.03 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number31-114
Signedon left side, center, next to goblet: "PC 1638"
On View
Not on view
Collections
DescriptionLight-gray background; in foreground, a table covered partially with white cloth set with a dish of red raspberries at right, knife with carved handle, pewter plate with partially peeled lemon, an overturned compote, and a small wine vessel (glass in tea pot shape); at left a large, crystal goblet.Exhibition History

Glass Vessels in Dutch Painting of the 17th Century, The Corning Museum of Glass, Corning, N.Y., August 15October 1, 1952, no. 5.

 

Gallery Label
The precious vessels and expensive objects in this still life celebrate the prosperity of the Dutch Republic, the fruit of their far-reaching trade network. An imported Chinese porcelain dish, a round-bellied glass (roemer) of French wine and an assortment of imported Mediterranean delicacies jostle for a place on the table. Arranged in an elegant disarray, these sought-after luxury items allowed the artist to demonstrate his mastery of perspective. They also showcased his skill in depicting various surfaces and textures.
Provenance

Marczell von Nemes (1866-1930), Munich, by 1930;


Purchased at his posthumous sale, Sammlung Marczell von Nemes, Frederik Müller and Co., Paul Cassirer and Hugo Helbing, Munich, June 16, 1931, lot 46, through Harold Woodbury Parsons, by The Nelson-Atkins Museum of Art, Kansas City, MO, 1931.



Published References

Sammlung Marczell von Nemes: Versteigerung im Auftrage der Testamentsvollstrecker des Nachlasses (Amsterdam: Mensing und Sohn (Frederik Müller and Co.), Berlin: Paul Cassirer, and Munich: Hugo Helbing, 1931), 3.

 

“Additional Old Masters Secured For Kansas City,” The Art News (February 6, 1932): 1.

Glass Vessels in Dutch Painting of the 17th Century (Corning, N.Y: Corning Museum of Glass, 1952), 31.

“Glass Vessels in Dutch Paintings,” Gaffer (Summer 1952): 8, (repro.).

Michael Jaffé, “The Flemish and Dutch Schools,” Apollo 96, no. 130 (December 1972): 511–512, (repro.) [repr. in Denys Sutton, ed., William Rockhill Nelson Gallery, Atkins Museum of Fine Arts, Kansas City (London: Apollo Magazine, 1972), 43-44, (repro.)].

Peter C. Sutton, A Guide to Dutch Art in America (Washington D.C., The Netherlands–American Amity Trust, 1986), 126, (repro.).

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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