Saint Thomas and Saint James the Less
Mat: 19 × 14 inches (48.26 × 35.56 cm)
Old and Modern Master Prints and Drawings, William H. Schab Gallery, New York, c. 1987, no. 9.
Thirty Years of Print Purchases for the Permanent Collection, The Nelson-Atkins Museum of Art, Kansas City, MO, November 19 - December 31, 1989, no. 1.
Graphic
Masterworks from the Permanent Collection, The Nelson-Atkins
Museum of Art, Kansas City, MO, May 23-July 25, 1993, no cat., as Saint Thomas and Saint James the Less.
Inked in
Time: Six Centuries of Printed Masterpieces, The Nelson-Atkins
Museum of Art, Kansas City, MO, February 22-May 31, 1998, no cat., as Saint Thomas and Saint James the Less.
Devotion
in Print: Masterworks of the German Renaissance, The
Nelson-Atkins Museum of Art, Kansas City, MO, February 8-August 21, 2006, no
cat., as Saint Thomas and Saint James the
Less.
Devotion
in Print: Masterworks of the German Renaissance, The
Nelson-Atkins Museum of Art, Kansas City, MO, March 1-September 11, 2011, no
cat., as Saint Thomas and Saint James the
Less.
Devotion
in Print: Masterworks of the German Renaissance, The
Nelson-Atkins Museum of Art, Kansas City, MO, March 16-October 16, 2016, no cat.,
as Saint Thomas and Saint James the Less.
Adalbert Freiherr von Lanna (1836-1909), Prague, by 1895-1909 [1];
Gustav von Rath (b. 1888), Krefeld, Germany, after 1910-February 9, 1913 [2];
Dr. Albert W. Blum (1882-1952), Switzerland and Short Hills, NJ, by 1952 [3];
With William H. Schab Gallery, New York, by c. 1987;
With Carolyn Bullard Fine Prints and Drawings, Dallas, TX, by October 16, 1989;
Purchased from Carolyn Bullard Fine Prints and Drawings by The Nelson-Atkins Museum of Art, Kansas City, MO, 1989.
NOTES:
[1] Lugt 2773
[2] Lugt 3772
[3] Lugt 79bAdam Bartsch, Le Peintre-graveur, vol. 6 (Leipzig: J.A. Barth, 1866), no. 81, p. 228, as Les douze Apôtres: S. Jaques le mineur, et S. Judas Thadée. Descendit ad inferna. Ascendit ad celos.
Hans Wolfgang Singer, Die Kupferstichsammlung Lanna zu Prag, vol. 1 (Prague: Selbstverlag, 1895), no. 73, p. 16, as St. Jacobus Minor und Thomas.
Max Geisberg, Der deutsche Einblatt-Holzschnitt in der ersten Hälfte des XVI. Jahrhunderts, 43 vols. (Munich: Schmidt, 1923-1930), no. 252.
Max Lehrs, Geschichte und kritischer Katalog des deutschen, niederländischen und französischen Kupferstichs im XV. Jahrhundert, vol. 9, Israhel von Meckenem (Vienna: Gesellschaft für vervielfältigende Kunst, 1934), no. 247.296 I/II.
Friedrich Wilhelm Heinrich Hollstein, German Engravings, Etchings, and Woodcuts Ca. 1400-1700, vol. 24, Israhel van Meckenem (Amsterdam: Van Gendt, 1980), no. 296: I/II.
Catalogue 75: Old and Modern Master Prints and Drawings, exh. cat. (New York: William H. Schab Gallery, c. 1987).
Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 141, (repro.), as Saint Thomas and Saint James the Less.
George L. McKenna, Prints, 1460-1995 (Kansas City, MO: Nelson-Atkins Museum of Art, 1996), 14-15, 301, (repro.), as St. Thomas and St. James the Less.
Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 47, (repro.), as Saint Thomas and Saint James the Less.
