Seated Maitreya Buddha
- 204
The Ideal Image: The Gupta Sculptural Tradition and Its Influence, Asia House Gallery, New York, October 5-December 3, 1978; Kimbell Art Museum, January 11-February 25, 1979; The Art Institute of Chicago, March 24-May 6, 1979. no. 95.
Cave Four, Tianlongshan, Shanxi Province, China
Yamanaka & Co., New York,
Purchased from Yamanaka & Co. by The Nelson-Atkins Museum of Art, Kansas City, MO, 1932.
The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Handbook of the William Rockhill Nelson Gallery of Art (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1933), 96 (repro.).
The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, The William Rockhill Nelson Collection, 2nd ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1941), 110 (repro.).
Ross E. Taggart, George L. McKenna, and Marc F. Wilson, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. II, Art of the Orient. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973), p. 38 (repro.).
Pratapaditya Pal, The Ideal Image: the Gupta Sculptural Tradition and Influence (New York: Asia Society, 1978), p.139, no. 95 (repro.).
Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), p.309 (repro.).
Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), p. 325, fig. 127 (repro.).
