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Mirror with Scene of Daoist Immortals and Flying Horses
Mirror with Scene of Daoist Immortals and Flying Horses

Mirror with Scene of Daoist Immortals and Flying Horses

Original Language TitleShen-jen t'ien-ma hua-hsiang ching
CultureChinese
Dateearly 3rd century C.E.
MediumBronze
DimensionsOverall: 9 1/4 inches (23.5 cm)
Credit LineGift of the Friends of Art in memory of Mrs. George H. Bunting Jr.
Object numberF86-2
On View
On view
Gallery Location
  • 224
Collections
DescriptionHigh relief decoration of Hsi-wang mu with four female attendants opposite Tung-wang fu and two male attendants, the figural representations balanced by intervening double ranks of heavenly horses and landscape, genie-like good spirits flying about in the remaining spaces.Gallery Label

The images on this mirror refer to the cult of Kunlun-the axis of the universe and a mountain where all immortals dwelled. A goddess known as the Queen Mother of the West was the Kunlun ruler, who conferred immortality on her believers and registered their souls in her paradise. Here, she poses with her four attendants on the lower part of the mirror. King Father of the East, her male counterpart, can be seen with four attendants on the upper part. Between them are two large columns of winged horses emerging from the mountain formations, galloping around the motionless universal axis, the central knot of the mirror. These pictorial motifs are enclosed by a band of inscription:

The Zhou family made this mirror. Barbarians of the four directions have all submitted. May the state and the people be at rest. May the barbarians be destroyed and the Empire be restored. May wind and rain be coming in the right time and the five types of grains be harvested in bounty. May our parents be forever protected by the blessing of heaven. May endless happiness be extended to our descendants.

Provenance

James Freeman;

His gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 1986.

Published References

Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 282 (repro.).

Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 308, no. 83 (repro.).

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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