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Seated Nude (Study for the “Legend of Giotto” [unrealized work])
Seated Nude (Study for the “Legend of Giotto” [unrealized work])

Seated Nude (Study for the “Legend of Giotto” [unrealized work])

Primary TitleSeated Nude
Artist Edgar Degas (French, 1834 - 1917)
Dateca. 1856-1858
MediumPencil on paper
DimensionsUnframed: 17 1/2 × 11 1/2 inches (44.45 × 29.21 cm)
Framed: 25 1/4 × 19 × 1 1/4 inches (64.14 × 48.26 × 3.18 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number49-73
Signedl.l.: "Degas"
On View
Not on view
Collections
Exhibition History
Anatomy & Art, William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, MO, May 9-June 5, 1960, no.40, as Seated Figure.

Exhibition, Spiva Art Center, Joplin, MO, October 1961, no cat.

A Generation of Draughtsmen, University of Michigan Museum of Art, Ann Arbor, April 25-May 29, 1962, no. 47, as Seated Figure and Seated Boy.

Drawings by Degas, City Art Museum of Saint Louis, January 20-February 26, 1967, Philadelphia Museum of Art, March 10-April 30, 1967, The Minneapolis Institute of Arts, MN, May 18-June 25, 1967, no. 9, as Nude Youth Seated.

Edgar Degas: Pastelle, O
̈lskizzen, Zeichnungen, Kunsthalle Tübingen, Tübingen, Germany, January 14-March 25, 1984, Nationalgalerie, Berlin, April 5-May 20, 1984, no. 17, as Sitzender Akt.

Master Drawings from The Nelson-Atkins Museum of Art, Kansas City, Missouri, Washington University Gallery of Art, St. Louis, September 22-December 3, 1989, The Nelson-Atkins Museum of Art, February 17-March 25, 1990, Kansas City, MO, unnumbered, as Seated Boy.

Degas and the Nude, Museum of Fine Arts, Boston, October 9, 2011-February 5, 2012, Musée d’Orsay, Paris, March 12-July 1, 2012, no. 19, as Seated Nude Youth.
Gallery Label
In his later career, Degas attracted much controversy for his scenes of female bathers, often represented in highly intimate moments of nakedness. In his early work, however, he produced numerous more conventional, academic studies of the male nude. This graceful nude, like the red chalk drawing nearby, was drawn from a model in Rome between 1856 and 1858. The boy holds a stylus and has been identified as a study for the young Giotto (1267–1337), the early Renaissance painter, in a composition by Degas that was never completed. The legs of a standing model are visible at the edge, above left. The inscription at bottom right was added later, when the aging Degas reviewed, identified and sorted his drawings.
Provenance

With the artist, Paris, until 1919;

Degas’s posthumous sale, Tableaux, Pastels et Dessins par Edgar Degas et provenant de son atelier, Galerie Georges Petit, Paris, July 2, 1919, no. 69a, as Fillette assise (étude de nu);

Rouart, Paris [1];


With C. D. H. Incorporated (César Mange de Hauke, 1900–1965, New York and Paris), New York, by December 18, 1949;

Purchased from the latter by The Nelson-Atkins Museum of Art, Kansas City, MO, 1949.

NOTES:


[1] This constituent comes from Jean Sutherland Boggs, Drawings by Degas, exh. cat. (St. Louis: City Art Museum of St. Louis, 1966), 28; and Götz Adriani, Edgar Degas: Pastelle, Ölskizzen, Zeichnungen, exh. cat.
(Cologne: DuMont, 1984), 340. It is not clear which Rouart is referred to, but it could not be Henri Rouart (1833–1912), or his brother, Alexis Rouart (1839–1911) since they had both passed away by the date of Degas’ sale in 1919.
Published References

Catalogue des Tableaux, Pastels et Dessins par Edgar Degas et provenant de son atelier (Paris: Galerie Georges Petit, July 2-4, 1919), 65, (repro.).


Winifred Shields, “Degas Works Sold at Auction Are in French Exhibit Here,” Kansas City Star 70, no. 258 (June 2, 1950): 21, as Seated Figure.


“Anatomy & Art: May 9 to June 5, 1960,” The Nelson Gallery and Atkins Museum Bulletin 3, no. 1 (1960): 16.

The University of Michigan Museum of Art, A Generation of Draughtsmen, exh. cat. (Ann Arbor: University of Michigan Museum of Art, 1962), unpaginated, (repro.).

Jean Sutherland Boggs, Drawings by Degas, exh. cat. (St. Louis: City Art Museum of St. Louis, 1966), 28, 32, (repro.).

Ross E. Taggart and George L. McKenna, eds., Handbook of the Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, vol. 1, Art of the Occident, 5th ed. (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973),188, (repro.), as Seated Figure.

Theodore Reff, The Notebooks of Edgar Degas: A Catalogue of the Thirty-Eight Notebooks in the Bibliothèque Nationale and Other Collections 1 (Oxford: Clarendon Press, 1976), 54n3.

Akiko Mabuchi,
ドガ/ Degas (Tokyo: Kodansha, 1978), 8-9, (repro).

Carol A. Nathanson and Edward J. Olszewski, "Degas's Angel of the Apocalypse," The Bulletin of the Cleveland Museum of Art 67, no. 8 (1980): 244-46, (repro.), as Seated Figure.

Götz Adriani, Edgar Degas: Pastelle, Ölskizzen, Zeichnungen, exh. cat. (Cologne: DuMont, 1984), 135, 340, (repro.).

Roger Ward and Mark S. Weil, Master Drawings from The Nelson-Atkins Museum of Art, Kansas City, Missouri, exh. cat. (St. Louis: Washington University Museum of Art, 1989), 9, 59, (repro.).

Donald Hoffman, “Drawings tell ignored value of collection,” The Kansas City Star 110, no. 135 (February 25, 1990): 3J, as Seated Boy.

George T.M. Shackelford and Xavier Rey, Degas and the Nude, exh. cat.
(Boston: MFA Publications, 2011), 21-22, 222, (repro.).

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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