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Couch Table

Original Language Title黃花梨木炕桌 明
CultureChinese
Date15th-16th century
MediumHuanghuali wood
DimensionsOverall: 10 1/8 × 20 7/8 × 30 3/8 inches (25.72 × 53.02 × 77.15 cm)
Credit LinePurchase: the Kenneth A. and Helen F. Spencer Foundation Acquisition Fund
Object numberF72-52
On View
On view
Gallery Location
  • 202
Collections
DescriptionA huanghuali high waisted kang table with a flush floating panel top within a mitred frame. The waist, divided into three panels to each side with vertical struts is butt-jointed to the table top and apron. The shaped apron is mitred and half-lapped to the strong cabriole leg and is carved with a beaded edge which continues down the leg. There is leaf carving to the knee and foot above the square pads. Late 16th-early 17th century.Gallery Label

This is the oldest type of Chinese table. In ancient times, before the chair was introduced, the Chinese sat on woven mats with minimal furniture such as low tables and armrests. As couches became popular the low table was transferred to the couch. This is a particularly fine example, with strongly carved “elephant trunk” legs.  This shape influenced European furniture during the eighteenth century, where these legs were termed “cabriole.”


Provenance

Charlotte Horstmann Ltd.;

Purchased from Charlotte Horstmann Ltd. through Kenneth A. and Helen F. Spencer Foundation Acquisition Fund by The Nelson-Atkins Museum of Art, Kansas City, MO, 1972.

Published References

Robert H. Ellsworth, Chinese Furniture: Hardwood Examples of the Ming and Early Ch’ing Dynasties (New York: Random House, 1971), 248, 150, no. 45 (repro.).

Laurence Sickman, “Simplicity and Subtlety: The Decorative Arts in China” Apollo, special issue for the Asian art collection in the Nelson-Atkins Museum of Art, Vol. XCVII, no. 133 (March 1973), 270, no. 8 (repro.).

Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 343 (repro.).

Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 357 (repro.).

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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