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Plate

CultureItalian
Dateearly 16th century
MediumTin-glazed earthenware (maiolica)
DimensionsOverall: 13 3/4 inches (34.93 cm)
Credit LineGift of Robert Lehman
Object number43-39/10
On View
Not on view
DescriptionCream ground with dice-shaped terracotta and green decoration in the center with ornament in orange, blue and green.Exhibition History

Detroit Institute of Arts.  "Arts of the Italian Renaissance, 1400-1600," November 17, 1958-January 6, 1959, no. 92A

 

Philbrook Art Center, Tulsa, OK.  "Gloria dell'Arte:  A Renaissance Perspective," October 28, 1979-January 27, 1980, no. 130.


 

Provenance

Alfred Pringsheim (1850-1941), Munich, by 1914-June 7, 1939 [1];


Purchased at his sale, The Renowned Collection of Superb Italian Majolica, The Property of Dr. Alfred Pringsheim of Munich, Sotheby & Co., London, June 7, 1939, lot 16, through Julius Goldschmidt Galleries, London, by Robert Lehman (1891-1969), New York, no. C118, 1939-1943 [2];


His gift, through Harold Woodbury Parsons, to The Nelson-Atkins Museum of Art, Kansas City, MO, 1943.


NOTES:


[1] Otto von Falke, Die Majolikasammlung Alfred Pringsheim in München, vol. 1 (Leiden: A. W. Sijthoff’s Uitgevers-Maatschappij, 1914), no. 31, repro. plate 19. Alfred Pringsheim was a German Jewish collector. During Kristallnacht, in November 1938, the Nazi SS seized Pringsheim’s majolica collection from his home in Munich. It was stored in the annex to the Bayerisches National Museum, Munich. In March 1939, the German Ministry of Trade authorized export of Pringsheim's majolica collection to London for auction at Sotheby's, provided that 80% of the proceeds up to £ 20,000 and 70% of the remainder be paid to the German Gold Discount Bank in foreign currency. Pringsheim was to receive the remaining proceeds. In exchange, Pringsheim and his wife were allowed to emigrate to Switzerland. See Timothy Wilson, "Alfred Pringsheim and his Collection of Italian Maiolica," in Otto von Falke, Die Majolikasammlung Alfred Pringsheim, augmented reprint with articles by Tjark Hausman, Carmen Ravanelli-Guidotti and Timothy Wilson, Ferrara 1994, vol. 3, pp. 85-87. After the war, the Pringsheim heirs received restitution of the sale proceeds paid to the Reichsbank pursuant to a settlement agreement with the German government. See Minutes of a closed session of the Reparation Claims Office I for Upper Bavaria, Munich, March 11, 1955, Staatsarchiv München, Wiedergutmachungsbehörde Oberbayern, WB 1a 2407, copy in NAMA curatorial files.


[2] Metropolitan Museum of Art, New York, Robert Lehman Papers, box 82, folder 13.



Published References

Otto von Falke, Die Majolikasammlung Alfred Pringsheim in München, vol. 1 (Leiden: A. W. Sijthoff’s Uitgevers-Maatschappij, 1914), no. 31, repro. plate 19.


The Renowned Collection of Superb Italian Majolica, The Property of Dr. Alfred Pringsheim of Munich, Sotheby & Co., London, June 7, 1939, lot 16.


Decorative arts of the Italian Renaissance, 1400-1600 exh. cat. (Detroit Institute of Arts, Detroit, Michigan, November 18, 1958-January 4, 1959), 46.

 

Philbrook Art Center. Gloria Dell'arte: A Renaissance Perspective, Philbrook Art Center, Tulsa, Oklahoma, October 28, 1979-January 27, 1980. exh. cat, (Tulsa, Okla.: Philbrook Art Center, 1979), 65.

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


Plate
ca. 1525
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Dish
early 16th century
43-39/11
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1490-1500
45-55/1
Plate
ca. 1530
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Drug Jar
ca. 1525-1550
43-39/1
Drug Jar
mid-16th century
43-39/3
Dish
Maestro Domenego da Venezia
1560-1570
43-39/9
Jar with Two Handles
1510-1530
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Plate on Foot
15th century
45-55/6
Drug Jar (Wet)
ca. 1480
43-39/4
top overall
16th century
43-39/6