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Head of an Acolyte

Artist Giovanni Battista Piazzetta (Italian, 1683 - 1754)
Date18th century
MediumCharcoal and white chalk on gray-green paper
DimensionsUnframed: 15 7/16 × 11 5/16 inches (39.17 × 28.73 cm)
Framed: 24 5/16 × 19 3/4 × 1 inches (61.75 × 50.17 × 2.54 cm)
Credit LinePurchase: William Rockhill Nelson Trust
Object number32-192/2
On View
Not on view
Collections
Exhibition History

Eighteenth-Century European Drawings: From the Collections of the William Rockhill Nelson Gallery of Art, Kansas City and the Museum of Art and Archaeology, University of Missouri-Columbia, University of Missouri Museum of Art and Archaeology, Columbia, MO, October 18-November 18, 1979, unnumbered, as Head of a Boy.

Master Drawings from The Nelson-Atkins Museum of Art, Washington University Gallery of Art, St. Louis, MO, September 12-December 3, 1989, unnumbered, as Head of an Acolyte.

Dürer to Matisse: Master Drawings from the Nelson-Atkins Museum of Art, The Philbrook Museum of Art, Tulsa, OK, June 23-August 18, 1996; The Cummer Museum and Gardens, Jacksonville, FL, September 20-November 29, 1996; The Hood Museum of Art, Dartmouth College, Hanover, NH, December 21, 1996-March 2, 1997, no. 38, as Head of an Acolyte.

Dürer to Matisse: Master Drawings from the Permanent Collection, The Nelson-Atkins Museum of Art, Kansas City, MO, July 12-September 6, 1998, no cat., as Head of an Acolyte.

Caricature, Fashion and Fantasy, The Nelson-Atkins Museum of Art, Kansas City, MO, June 18-December 14, 2014, no cat., as Head of an Acolyte.

Gallery Label
This drawing of an altar boy holding an oversize candle looks like a preparatory study for a painting, but it is more likely to have been made for its own sake, to be sold as an independent work. The boy has an attentive look as if concentrating on the church service, and his too-large ear suggests he may have been sketched from life.
Provenance

L. S. Hope, Angus House, North Berwick, East Lothian, UK, by 1930;

Purchased from Drawings by Old Masters of the Italian, Dutch and Flemish Schools, The Property of Miss L.S. Hope, Sotheby’s, London, November 5, 1930, lot 80, as Bust of a Youth holding a candlestick, profile to the left, by Savile Gallery, London, 1930;

With Durlacher Brothers, New York, stock no. 566, by July 25, 1932 [1];

Purchased from Durlacher Brothers, New York, through Harold Woodbury Parsons, by The Nelson-Atkins Museum of Art, Kansas City, MO, 1932.

NOTES:

[1] Getty Research Library, Los Angeles, Durlacher Brothers Records, Box 1, Folder 10, "Details for New York Stock Book, July 25, 1932," copy in Nelson-Atkins curatorial files.


Published References

Catalogue of Drawings by Old Masters of the Italian, Dutch and Flemish Schools, The Property of Miss L.S. Hope (London: Sotheby’s, November 5, 1930), 18, as Bust of a Youth holding a candlestick, profile to the left.

The William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Handbook of the William Rockhill Nelson Gallery of Art (Kansas City, MO: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1933), 67, (repro.), as Head of a Boy.

Eighteenth-Century European Drawings: From the Collections of the William Rockhill Nelson Gallery of Art, Kansas City and the Museum of Art and Archaeology, University of Missouri-Columbia, exh. cat. (Columbia, MO: University of Missouri Museum of Art and Archaeology, 1979), unpaginated, as Head of a Boy.

Roger Ward and Mark S. Weil, Master Drawings from The Nelson-Atkins Museum of Art, exh. cat. (St. Louis, MO: Washington University Museum of Art, 1989), 7, 11, 43, (repro.), as Head of an Acolyte.

Roger Ward and Patricia J. Fidler, eds., The Nelson-Atkins Museum of Art: A Handbook of the Collection (New York: Hudson Hills Press, in association with Nelson-Atkins Museum of Art, 1993), 185, (repro.), as Head of an Acolyte.  

 

Roger Ward, Dürer to Matisse: Master Drawings from the Nelson-Atkins Museum of Art, exh. cat. (Kansas City, MO: Nelson-Atkins Museum of Art, 1996), 11, 131-32, (repro.), as Head of an Acolyte.

Deborah Emont Scott, ed., The Nelson-Atkins Museum of Art: A Handbook of the Collection, 7th ed. (Kansas City, MO: Nelson-Atkins Museum of Art, 2008), 90, (repro.), as Head of an Acolyte.

Information about a particular artwork or image, including provenance information, is based upon historic information and may not be currently accurate or complete. Research on artwork and images is an ongoing process, and the information about a particular artwork or image may not reflect the most current information available to the Museum. If you notice a mistake or have additional information about a particular artwork or image, please e-mail provenance@nelson-atkins.org.


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