Harbor View Hotel
Framed: 45 1/2 x 45 1/2 x 3 inches (115.57 x 115.57 x 7.62 cm)
- 217
Exhibition of Fifty Paintings by the Late John H. Twachtman, Possibly New York School of Applied Design for Women, January 15–February 15, 1913, no. 16 (as The Last Canvas).
Fine Arts Exhibition, Department of Fine Arts, Panama-Pacific International Exposition, San Francisco, February 20–December 4, 1915, no. 4076.
Post-Exposition Exhibition, Department of Fine Arts, Panama-Pacific International Exposition, San Francisco, January 1–May 1,1916, no. 5710.
[“Exhibition of Paintings and Pastels by John H. Twachtman”], Philadelphia Art Alliance, November 13–27, 1917, no cat.
An Important Exhibition of Paintings and Pastels by John H. Twachtman, Possibly Milch Galleries, New York, March 12–24, 1928, no. 14 (as Artist’s Last Painting [Unfinished]).
Leaders of American Impressionism, Brooklyn Museum, N.Y., October 16–November 28, 1937, no. 72.
Kansas City Art Institute, Mo., May 5–24, 1939, no cat.
A Retrospective Exhibition, John Henry Twachtman, Cincinnati Art Museum, October 7–November 20, 1966, no. 91.
American Art from the Nelson Gallery, Albrecht Art Museum, St. Joseph, Mo., November 1, 1976–January 31, 1977, no cat.
Twachtman in Gloucester: His Last Years, 1900–1902, Ira Spanierman Gallery, New York, May 12–June 13, 1987, unnumbered.
John Henry Twachtman: An American Impressionist, High Museum of Art, Atlanta, June 6, 1999–May 21, 2000 (traveled), unnumbered.
Possibly to Martha Twachtman (widow of the artist);
Colonel J. Alden Twachtman (son of the artist), Greenwich, Conn.;
to NAMA, 1933.
Possibly Exhibition of Fifty Paintings by the Late John H. Twachtman, exh. cat. (New York: New York School of Applied Design for Women, 1913), unpaginated (as The Last Canvas).
John E. D. Trask and J. Nilsen Laurvik, eds., Catalogue de Luxe of the Department of Fine Arts, Panama-Pacific International Exposition (San Francisco: Paul Elder and Company, 1915), 1:227, 2:337.
Official Catalogue (Illustrated) of the Department of Fine Arts Panama-Pacific International Exposition (with Awards) San Francisco, California, exh. cat. (San Francisco: Wahlgreen Company, 1915), 75, 188.
Illustrated Catalogue of the Post-Exposition Exhibition in the Department of Fine Arts Panama-Pacific International Exposition San Francisco, California, exh. cat. (San Francisco: San Francisco Art Association, 1916), 56.
“Charming Pictures Put on Exhibition,” Philadelphia Press, November 15, 1917, 10 (as The Harbor View and illustrated as The Marsh).
Possibly “American Art: Twachtman, Arthur B. Davies and Some Others,” New York Herald Tribune, March 18, 1928, sec. 7, 11.
Possibly An Important Exhibition of Paintings and Pastels by John H. Twachtman, exh. cat. (New York: Milch Galleries, 1928), unpaginated (as Artist’s Last Painting [Unfinished]).
M.K.P., “Art,” Kansas City Star, April 9, 1933, 14A.
“Art News,” Kansas City Journal-Post, April 23, 1933, 2B.
“Twachtman’s Last Picture for Kansas City,” Art Digest 7 (May 1, 1933), 18.
“The Acquisitions,” Art Digest 8 (December 1, 1933), 22.
“Nelson Gallery Has Twachtman’s Last Work,” Art Digest 8 (December 1, 1933), 26.
“The William Rockhill Nelson Gallery of Art: Complete Catalogue of Paintings and Drawings,” Art News 32 (December 9, 1933), 28.
Handbook of the William Rockhill Nelson Gallery of Art (Kansas City, Mo.: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1933), 126, 138.
“Art,” Kansas City Star, August 30, 1936, 10A.
“American Landscape Paintings,” News Flashes (William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts), 2 (September 1, 1936), 2.
Leaders of American Impressionism, exh. cat. (Brooklyn, N.Y.: Brooklyn Museum, 1937), 37.
“American Landscape Paintings,” News Flashes (William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts), 8 (June 1939), 2.
The
William Rockhill Nelson Collection,
2nd ed. (Kansas City, Mo.: William Rockhill Nelson Gallery of Art
and Mary Atkins Museum of Fine Arts, 1941), 149, 157, 166.
Winifred Shields, “Traditional New England Scenes Attract
Artists Year after Year,” Kansas City
Star, August 15, 1952, 20.
John Douglass Hale, “The Life and Creative Development
of John Henry Twachtman,” Ph.D. diss., Ohio State University, 1957, 1:289, 297,
2:554.
Handbook
of the Collections in the William Rockhill Nelson Gallery of Art and Mary
Atkins Museum of Fine Arts,
4th ed. (Kansas City, Mo.: William Rockhill Nelson Gallery of Art
and Mary Atkins Museum of Fine Arts, 1959), 257.
Richard J. Boyle, A Retrospective Exhibition, John Henry Twachtman, exh. cat.
(Cincinnati: Cincinnati Art Museum, 1966), 8, 19, 29.
The Index of
Twentieth Century Artists, 1933–1937 (New York: Arno Press, reprinted with the
permission of College Art Association, 1970), 353, 356.
Ross E. Taggart and George
L. McKenna, eds., Handbook of the
Collections in The William Rockhill Nelson Gallery of Art and Mary Atkins
Museum of Fine Arts, Kansas City, Missouri, vol. 1, Art of the Occident, 5th ed. (Kansas City, MO: William Rockhill
Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1973), 255.
Richard J. Boyle, American Impressionism (Boston: New York Graphic Society, 1974),
166–68.
Richard J. Boyle, John Twachtman (New York: Watson-Guptill Publications, 1979), 76, 84–85.
Richard J. Boyle, “Twachtman’s Tone Poems,” Antiques World 2 (December 1980), 67, 69.
William H. Gerdts, American Impressionism, exh. cat. (Seattle: Henry Art Gallery,
University of Washington, 1980), 68.
William H. Gerdts, American Impressionism (New York: Abbeville Press, 1984), 192.
Lisa N. Peters et al., Twachtman in Gloucester: His Last Years, 1900–1902, exh. cat. (New
York: Universe Books, 1987), 13–14, 24, 86–87.
Lisa N. Peters et al., In the Sunlight: The Floral and Figurative Art of J. H. Twachtman,
exh. cat. (New York: Spanierman Gallery, 1989), 52.
Lisa N. Peters, “Twachtman’s Greenwich Paintings:
Context and Chronology,” in John
Twachtman: Connecticut Landscapes, ed. Deborah Chotner, Peters, and
Kathleen A. Pyne, exh. cat. (Washington, D.C.: National Gallery of Art, 1989),
21.
Henry Adams, Handbook of American Paintings in the
Nelson-Atkins Museum of Art (Kansas City, Mo.: Nelson-Atkins Museum of Art,
1991), 130.
Kristie C. Wolferman, The Nelson-Atkins Museum of Art: Culture Comes to Kansas City (Columbia:
University of Missouri Press, 1993), 141.
Lisa N. Peters, “John Twachtman (1853–1902) and the
American Scene in the Late Nineteenth Century: The Frontier within the Terrain
of the Familiar,” Ph.D. diss., City University of New York, 1995, 1:xliii, 486,
2:1002.
Stephen May, “Integrity Rewarded: The Art of John
H. Twachtman,” TIMELINE 16 (July–August
1999), 17.
Lisa N. Peters, John
Henry Twachtman: An American Impressionist, exh. cat. (Atlanta: High Museum
of Art, 1999), 162, pl. 60.
Margaret C. Conrads, ed. The Collections of the Nelson-Atkins Museum of Art: American Paintings to 1945 (Kansas City, Mo.: The Nelson-Atkins Museum of Art, 2007), 1: 526–528, 2: 237–238.
