Salver or Stand
CultureEnglish
Dateca. 1750-1765
MediumVariegated earthenware with lead glaze
DimensionsOverall: 6 inches (15.24 cm)
Credit LineGift of Frank P. Burnap
Object number52-44/2
On View
On viewGallery Location
- 112
Collections
DescriptionCircular salvers of solid agate ware with flaring, shaped edges and tripod feet; veined in blue, brown and gray.Gallery LabelDescribed in the 1661 edition of Thomas Blout's dictionary, Glossographia, a salver is "a new fashioned piece…used in giving liquid…to save or preserve the Carpit and Cloathes from drops." Also employed to protect table tops, the footed trays were used for wine glasses, mugs or as a trivet for hot vessels such as a teapot.
Tea arrived in London from Asia through the Netherlands, as the Dutch were the first to engage in tea trading with China. The 1670s saw only a small amount of tea reaching Europe, but by 1750 the British East India Company had imported 37 million pounds of tea to England. During the 18th century, tea remained a costly and exotic commodity that brought with it a certain mystery inspiring innovative accoutrements and social rituals for its consumption. The Chinese wine pot was a model for the European teapot, and Chinese ceramics also informed the shape of tea caddies. The number and variety of objects in this case speak to the energy and creativity invested in developing fashionable and functional tea implements as well as English patrons' willingness to purchase them.
Tea arrived in London from Asia through the Netherlands, as the Dutch were the first to engage in tea trading with China. The 1670s saw only a small amount of tea reaching Europe, but by 1750 the British East India Company had imported 37 million pounds of tea to England. During the 18th century, tea remained a costly and exotic commodity that brought with it a certain mystery inspiring innovative accoutrements and social rituals for its consumption. The Chinese wine pot was a model for the European teapot, and Chinese ceramics also informed the shape of tea caddies. The number and variety of objects in this case speak to the energy and creativity invested in developing fashionable and functional tea implements as well as English patrons' willingness to purchase them.
Mr. Frank P. Burnap (1861-1957), Kansas City, MO by 1951;
His gift to The Nelson-Atkins Museum of Art, Kansas City, MO, 1951.
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